"The Sistas Uprising Fund" is a charity project to help marginalized artists, primarily focusing on supporting marginalized women and femme-expressing creatives this year. Initially, our first Art & Mind event in 2021 fundraised $751 for Brain Arts Org. This Boston organization uplifts “grassroots organizations and undervalued communities* by developing and implementing equitable models of engagement within the arts & culture sector.”

As Sista Creatives Rising started to develop shortly after, we brainstormed on how we could fundraise for other groups. Once Art & Mind 2023, “I Know Who I Am! Journeys of Women of Color & Femme-Expressing Creatives,” came to fruition, we decided it was time to create our fund. The goal will adjust depending on the theme of Art & Mind.
Visual Artists ONLY (USA & Canada based) will be expected to submit, via Jotform, a 2-minute video describing how this grant will help them, whether the funds will support their art directly or if it will help ease some unexpected stressors such as bills, medication costs, food costs, etc. that will allow them to continue to develop their artwork. Snippets of accepted videos will be compiled and put on our YouTube & Instagram. NO NFT OR AI ARTWORKS.

Farm Studio International Artist Residency is located in a rural community in India. Residents stay and create in a quiet art centre and beautiful environment where they can develop their artwork free from accustomed distractions. Farm Studio residency provides three types of working spaces where artists can explore their art and ideas in the rural Rajasthani environment; at the Farm Studio indoor studios, the outdoor desert and farm environments, and in Andore Village.

Here, collaboration and experimentation is encouraged. Relationships form between the artists coming from different countries and varied social, cultural, and artistic backgrounds. Many exciting exchanges and dialogues among artists take place, including scheduled artist talks, presentations, works in progress showings, etc.

Farm Studio also promotes and celebrates the local community’s artistic and cultural identity while also introducing art and culture of others’ (Indian and International guests) back to the community. This intercultural exchange broadens everyone’s experiences and fosters art appreciation.

Farm Studio International Artist Residency hosts artists from October to the end of February each year, with accommodations available for 3-6 residents at one time.

Studio Information:

Studio space, indoor & outdoor.

Accommodation Information:
Private accommodation (small hut).

Technical Information:
Artists bring their own art materials and basic tools are available at Farm Studio.

Deadline for Applications for January and February residencies in 2025 is May 5th, 2024.

Artist responsible for:

Residency Fee
Personal art materials
Travel costs
Visa
Insurance
Artists are responsible for travel, visa, materials, entertainment, food costs outside of the residency, and insurance.

Artists should arrange his/hers own insurance to cover any possible accident, loss or damage (including but not limited to health insurance and general liability insurance) during their stay in India. Farm Studio will not be liable for any loss, theft or damage and provides no insurance covering any work, equipment or materials belonging to any user.

Special Service Area 61 Hyde Park (SSA 61) welcomes artists to submit their artworks for consideration to revitalize the 53rd & 55th St. viaducts in Hyde Park. SSA 61 represents the welfare of the businesses in the Hyde Park district and understands the important role the viaducts play in welcoming visitors to explore those businesses. Each selected artist will be provided a set stipend of $3,000 per panel for the use of their artwork. Selected artworks will be reproduced on vinyl on the existing panels by third party printing and installation company, Moss Inc (Moss).

About SSA 61 and the South East Chicago Commission
The South East Chicago Commission is a 501c3 nonprofit organization that works to facilitate and support economic development within the Southeast lakefront communities of Hyde Park, Kenwood, Oakland, Washington Park and Woodlawn and to foster collaboration and coordination among businesses, organizations and institutions to promote the creation of jobs, investment and economic vitality. The SECC serves as the official Service Provider for Special Service Area #61 aka Downtown Hyde Park, which comprises the 53rd and 55th Street corridors connected by Lake Park Avenue. Special Service Areas, known as Business Improvement Districts or BIDs in other cities, are local tax districts that fund expanded services and programs through a localized property tax levy within contiguous areas.

A curatorial team of three representatives from the South Side will be responsible for the artwork selection and sequence. The jurors include Monique Brinkman-Hill, Executive Director of South Side Community Art Center, Mariela Acuña, Exhibitions and Residency Manager at Hyde Park Art Center, and Ciera McKissick, Public Programs Manager at Hyde Park Art Center. Chicago Public Art Group (CPAG) will not be selecting the artists.

Project Objective:
Successful submissions will approach the site with a bold and creative vision that reflects the community's best qualities - its connectedness, diversity, culture, entertainment, and residents. The viaducts connect the east and west side of the business districts allowing the art to seamlessly encourage movement throughout. Submissions should create an attraction that acts as an entry point for visitors to experience the viaducts as a "must see" amenity. This revitalization serves to improve the safety and well-being of pedestrians, bikers, and vehicular traffic by creating a sense of place for surprising, delightful interactions, welcoming visitors and residents alike to venture through Hyde Park.

The project goals are to connect with two groups:

(1) Hyde Parkers, those who live east of the viaducts and need to walk through them to get to the restaurants and shops. The viaducts should be a joyful compliment to the local businesses and attractions that Hyde Park offers. This project is not intended to be a didactic display of South Side history.

(2) Non-South Siders, fellow Chicagoans we want to pull in to Hyde Park for entertainment, shopping and eating. The goal is to make the viaducts welcoming and inviting for everyone.

There are a total of 19 stainless steel panels: 13 on the Southside of 53rd St with most a variably standard size (8' x 12'), and one is longer (8' x 16'). The remaining 6 panels are on the Southside of 55th St: four are standard (8' x 12'), two are larger (8' x 16'). In submitting your artwork, please indicate on your annotated image list whether your artwork best fits on an 8' x 12' or an 8' x 16' panel. Due to the slight variations of each panel size, minimal cropping or image adjustments may occur at the discretion of Moss and CPAG.

Each pre-existing panel will receive a large format, high quality digital print on 3M vinyl with self adhesive backing. The prints will be produced with a matte finish, professionally applied to the panels, and covered with a graffiti resistant coating. Moss will print and install each artwork.

30 finalists will be notified and selected for their artwork submission to undergo review and approval by Moss. 19 or fewer artists will be awarded with a panel.

Timeline
The application is open from 4/5/24 - 5/5/24. Jury deliberation & Moss review will occur in May. Artist contracts will be awarded in June and artists payments will occur once artwork is print ready. Printing and installation will take place Summer 2024. The anticipated lifespan for the artwork is approximately 3 or more years.

Application Requirements
Artists should submit 3-5 artworks. These can be pre-existing or newly developed artworks. At least one submission must be convertible to all size and electronic formatting requirements described in Moss' Color Management & Art Submission Guidelines included below. In addition to the jurors' selection, artworks submitted for reproduction will be pre-approved by Moss to guarantee they meet all requirements. Artists with a connection to Hyde Park are encouraged to apply.

The artworks submitted for reproduction should provide an eclectic and pleasing aesthetic experience for passersby. Light, vibrant and bold colors are encouraged, but not required. Submissions can be digitally developed, or for existing work, can be photographed and processed digitally. Each panel will have a 10.5" explanatory text and credits on the bottom of the printed images in the same pre-existing brown color. Images of the viaducts can be found on CPAG's website project page linked above or the viaducts can be visited in person.

Phase I & II
This is a two-phase submission process. Phase I includes everything on CaFE in the "What to Submit" section below. Due 5/5/24.

(CaFE does not have the ability to accept submissions that will immediately meet Moss' Art Submission Guidelines)

In Phase II, the jurors will narrow the CaFE submissions down to 30 artworks. CPAG will ask artists to upload the selected artwork on Dropbox so it meets Moss' Art Submission Guidelines below. Artworks submitted that do not meet these guidelines cannot be considered for reproduction. Moss will conduct a review of each submission to ensure it is high resolution, reproducible and print ready. The jurors will make their decision on the final 19 artworks based on Moss' report.

What to Submit
3-5 images of your artwork. At least one of the images should be able to meet the guidelines below in Phase II. The additional artworks submitted should showcase previous experience.
Annotated Image List that clearly states which artwork is intended for this project's vinyl reproduction and what size panel it fits best: 8' x 12' or 8' x 16'. The Annotated Image List should also include the title, year, medium, size and location.
Artist Statement that describes your experience in Chicago as an artist and why you are interested in this project.
Responses to the two questions included in this call.

Info Session
We strongly encourage applicants to attend the Zoom info session

Wednesday, April 24 from 5:30 - 6:30pm CT

Please register by April 21 by emailing [email protected] with your name and "INFO SESSION" in the subject line so we can send a Zoom link.

ART SUBMISSION GUIDELINES
COLOR, SPACE AND PROFILE
• Build exclusively as CMYK color space, Coated GRACol 2006 Profile.
• Ensure that PMS colors are designated in the art files supplied.
• RBG/HEX are not acceptable for print.

COLOR MATCH OPTIONS
We match color on the physical print material. Color match options are as follows:
• Ship or pick up one 1x1' physical hard copy for an additional fee.
• Pantone SPOT colors.
• Order physical proof(s) to approve color.
• Waive color approval/Print as is.

FILE FORMATTING
• Preferred file format is AI, but high res PDFs, EPS, PSD, PSB, and INDD files are also acceptable.
• Package files to ensure links are included.
• Preferred scale is 1:10 (10%).
• Bleed standard is 3% of overall file size; minimum ¼” - maximum of 4”.
• Large scale graphics, with critical art alignment, should be supplied as a single file.

FONTS, STYLE, AND LINKS
• Flatten all transparencies.
• Outline fonts.
• Images should be between 72-150 ppi at 100% of final size depending on process. At 1:10 (10%)
scale, resolution should read 750- 1500 ppi.
• Link/embed any illustrations or graphics in the art.

STANDARD MOSS COLOR MATCHING
Color Target for Pantone Colors
Pantone colors requested are compared and matched to the 2022 Pantone Color Bridge Coated book.

Art Requirements to Ensure Accurate Color Matching
• Apply Pantone colors to the corresponding art objects before submitting art files.
• Flatten any effects or transparencies present in the art.
• Use the Coated GRACol 2006 profile.

What is D50 lighting and why is it important?
D50 lighting was established as the standard for lighting utilized to view color and prints by the International Standards Organization (ISO 3664).
Color appearance can change in different lighting. It is important to use the D50 lighting standard to minimize color variations when viewing prints.

The Florida Museum of Photographic Arts has put out a call for photographers to participate in a worldwide photography competition, sponsored by the Tampa International Airport and Visit Tampa Bay. Winners are selected by a jury knowledgeable of art and photography. Winning submissions will be notified by May 23. The top entries will be exhibited at The Tampa International Airport from June 25 - August 25. Images will be judged on originality, technical excellence, composition, overall impact, artistic merit, and as otherwise determined by the judges. For each category, three winners will be selected. An overall Best in Competition winner will be selected from all submitted photographs for a grand cash prize. Each winning submission will be printed for an exhibition at the Tampa International Airport. Note about 2024 competition: There will be NO EXTENSION to the submission deadline. All photos must be submitted by May 5, 2024.

The FLORIDA MUSEUM of PHOTOGRAPHIC ARTS is a museum dedicated to exhibiting important photographic art as central to contemporary life and culture. FMoPA collects, preserves, and exhibits historic and contemporary works by nationally and internationally known photographic artists. FMoPA also enriches the community by operating outreach programs to educate children and adults.

LRPA FIRE STATIONS 7 AND 10
The City of Loveland Art in Public Places is accepting Requests for Qualifications (RFQ) for an Artist to create unique exterior works of public artwork for Fire Station 7 and Fire Station 10, located within the Loveland Fire Rescue Authority boundaries, which extend beyond Loveland City limits. There are 187 square miles and over 109,000 people served within this area. Artists may be considered for one or both projects. Below, each fire station has a detailed overview of the site.

The preferred themes and locations for the final artwork selections are outlined within this RFQ. There is a desire for artists’ interpretations as each station has its unique characteristics, offering artists innovative and creative opportunities to utilize historical objects to tell the story of rural firefighting, the wildlands and wildlife within its boundaries.

When submitting your application, Artists must state their preference for Fire Station 7, Fire Station 10 or both projects. Please note that the City is currently accepting information regarding qualifications and samples of past work. Artists should not include proposals.

OVERVIEW OF EACH SITE

Each station is described below and presents unique characteristics to their respective sites.

Fire Station 7 is located in the foothills along N. CO Road 27 near the Big Thompson Canyon. The environment surrounding the fire station includes landscaping which includes an educational walking tour of fire hardening and mitigation efforts. Following the station’s destruction during the 2013 flood, a historic fire siren was recovered from the site. Fire staff would like to incorporate the siren into a public artwork display to tell the story of how the flood impacted the community, its response to the disaster, and how the community bounced back. The siren is heavy, measuring approximately 5 x 3 feet.

The total budget for Fire Station 7 artwork is $36,800.

Fire Station 10 is located on Ronald Reagan Blvd in Johnstown and was opened in October of 2022. The community room and training center, just off the main entry, is dedicated to showcasing the history of the 140-year-old Bartholf Hose Company's antique hose cart and a photo of the company with some smaller antique equipment. There is a desire to feature visuals of firefighters in period-correct uniforms and equipment from 1883-1910. A modern equipped firefighter could also be incorporated. Artwork will be displayed indoors in front of an 8-foot-high window. It is important to the team that the artwork not only suits the interior space but is also clearly visible from the outside at night.

The total budget for Fire Station 10 artwork is $62,600.

SCOPE AND DESCRIPTION

The selected artist/artist team will be responsible for utilizing the exterior of the site to:

identify sites for integrated artwork
interpret the history and/or functions of Fire & Rescue services
interpret the site using feedback from user groups
identify ways to maximize the Art in Public Places monies by capitalizing upon existing resources and site interpretation
Finalists for this project will be provided with images and videos of the site. Several areas have been identified as key locations for public artwork; however, finalists will have the freedom to present designs for areas of their choice.

The artwork may reflect the nature environment and elements - particularly, wildlands and wildlife, which may draw elements from the 2020 Cameron Peak wildfire, which burned through an area of 208,913 acres on the Arapaho and Roosevelt National Forests in Larimer and Jackson Counties and Rocky Mountain National Park.
The unique characteristics of Fire-related duties and situations.
Strong desire for artwork that reflects the lives of fire personnel.
The artwork may be placed either on or in the building, within the visible, public areas of the site.
BUDGETS: Each project budget includes design, fabrication, insurance, installation, travel, contingency, and all incidental costs.
Project Budgets: Fire Station 7 artwork is $36,800, and Fire Station 10 artwork is $62,600; $99,400 (total) if an artist is awarded both projects.

PROJECT TIMELINE: Finalists for these projects will be expected to provide a timeline at the time of presentation. The construction for both locations has been completed and the timeline is somewhat flexible; however, a final completion date by summer 2025 is desired.

APPLICATION PROCESS: From this RFQ, up to three finalists may be selected to present design concepts for this project. Finalists will be paid an honorarium to develop and present their artwork design concepts. Please do not submit proposals to this RFQ, as those proposals will be removed from the jury process.

All applications must be submitted through the CAFÉ website at: www.callforentry.org. Incomplete applications will not be juried by the artwork selection committee. All applications must include:

a preliminary statement of approach for the project, which communicates experience with projects of similar scope and scale
a minimum of 5 images of fabricated and installed public artwork completed within the past five years that highlight your previous accomplishment(s) with installations of similar appropriate scale. No more than 2 images per project are permitted. Do not submit images of past proposals that have not been executed as your application will be removed from the jury process. Minimum: 5; Maximum: 10 images
your professional resumes for the artist(s) applying to this project specifically highlighting similar outdoor commissions and/or sculpture installations
Three professional references for artist(s) applying to this project
SELECTION CRITIERA
The primary criteria for selection:

Aesthetics: Does the artwork meet the aesthetic preferences as stated within the RFQ?
Assigned Personnel: Does the artist/artist team working on the project have the necessary skills to execute the project? Are there sufficient people with the requisite skills assigned to the project?
Has the artist/artist team completed projects of a similar scope on time and on budget?
Scope of Proposal: Does the artist/artist team demonstrate an understanding of the project objective, appropriate scale, and desired results?
Materials: Are the materials safe and durable enough for the Colorado climate (including intense sun and winds of up to 120/mph)?
Availability: Can the installation be completed within an acceptable timeframe?
JURY OVERVIEW

AIPP staff will oversee operations and administer the decisions of the jury panel.
Areas have been identified as key locations for public artwork; however, finalists will have the freedom to present designs for areas of their choice. All finalists will be provided with images of the site. After the finalists’ presentations, one artist/artist team will be awarded this project.
Each finalist shall present detailed drawings for their concept(s), and detailed narrative of their concept. Additional presentation materials that the artist feels appropriate for the jury panel’s review are highly encouraged.
A detailed budget is required of the finalists. This budget must include all expenditures in connection with the execution of the project. Before submitting a proposal, artists must ensure the project can be executed as presented.
Artwork Selection Panel: Members of the City of Loveland Visual Arts Commission (9), Fire Department (6), and Loveland residents (3) will serve as jurors for the project.
Up to three finalists may be selected to present design concepts for this project. Each artist/artist team will enter into a contract with the City.
An honorarium of $1500 will be paid to each finalist that presents their design concept(s) at a regularly scheduled Visual Arts Commission meeting. (Date: Thurs., August 1, 2024.)

FINAL COMMISSIONED ARTIST

The awarded artist/artist team will enter into a contract with the City of Loveland and will be required to carry general liability insurance of $1 million and execute the design as presented. Stamped, engineered drawings are required before acceptance and installation.

Because this artwork is considered site-specific, the awarded artist may not install a similar project or edition of this artwork within a 60-mile radius of the installation site.
Project completion date will be determined jointly by the artist, City staff, with input from the Visual Arts Commission.
The awarded artist/artist team will work closely with Cultural Services, Facilities and Fire staff throughout the project timeline to ensure project requirements are met.
All finished work shall be true to the approved maquette or drawings, design, concept, and budget, as approved by the Loveland Visual Arts Commission. The artists’ progress reports must be made as contracted.
Application Requirements
SUBMISSION REQUIREMENTS

The project is open to any professional artist residing within a 150-mile radius of Loveland, Colorado. Each application must be completed in its entirety to be considered and must include:

Current resume or curriculum vitae.
5-10 digital images representing past work completed within the last five years
A written preliminary statement, not to exceed one page, which addresses the artist’s interest in this project and a preliminary statement of approach.
3 professional references

The Mathews-Sanders Sculpture Garden in Cleveland, Mississippi, is seeking an open call for 11th Biennial Outdoor Sculpture Competition for exhibition on the grounds of the Bologna Performing Arts Center on the campus of Delta State University, the Grammy Mississippi Museum, and downtown in the city of Cleveland. We anticipate selecting twelve works: eight sculptures at the BPAC, three sculptures downtown, and one sculpture at the Grammy Mississippi Museum.

The call is open to all artists and artist teams, age 18 and over, using durable materials suitable for outside elements and change in temperature that requires little to no maintenance during the display period. The call is open to sculptures of all types. Preference will be given to artworks with a musical theme at the Grammy Museum and downtown Cleveland. The Bologna Performing Arts Center presents the best in the arts and entertainment through a series of national and international multi-disciplinary performances and hosts over 200 events per year.

The work will be on exhibition from August 9, 2024 to August 9, 2026, at the end of which time a purchase award will be granted for one sculpture. The purchased sculpture will remain in the sculpture garden as part of the permanent collection.

This competition provides opportunities for regional and national artists to exhibit their work, make visible the University's commitment to and appreciation of artistic endeavors, enhance the vitality of the campus environment, and offer students first hand educational experience with sculpture. Thirty-seven pieces of sculpture have been purchased from the ten previous competitions and have been permanently placed at various locations on the Delta State campus, Grammy Mississippi Museum, and downtown Cleveland.

Application Submission

1. Artists may submit up to nine digital images of sculpture THAT WILL BE AVAILABLE FOR THE DURATION OF THE COMPETITION. Two views of each work should be submitted. High-resolution digital images are preferred with a minimum of 300 dpi saved in a jpeg format. 2. An identification sheet must accompany the digital submission and provide the following: a. Title, medium, and dimensions (h x w x d) for each submission

b. Exact Footprint dimensions

c. Purchase price for each submission

d. A statement of long-term upkeep must also be included and speak directly to the following: maintenance of surfaces, potential cost, and any equipment needed for maintenance. *A crane will be available during the installation in August. The artist will furnish any additional installation materials and will be responsible for anchoring all work during the installation.

3. Resume

4. Artist Statement

Application Requirements
Selection Criteria

1. Strong aesthetic merit and technical qualities, six to fifteen feet in height.

2. Appropriateness to the site, aesthetically and conceptually.

3. Maintainability and durability

4. Liability, based on susceptibility of the artwork to wear and vandalism and potential danger to the public.

5. Delivered work must be identical to electronic file submission.

The selection panel will be composed of art professionals from the Southeast.

Important Dates:

Entry Deadline: May 4

Notification: June 3

Installation: August 9

Light Space & Time Online Art Gallery announces its 27th “Solo Art Series” Online Art Competition. This competition will result in an award of 4 monthly solo art exhibitions and 8 Artist Showcases.

The gallery invites online submission of all 2D and 3D art (including photography and digital art) from artists around the world for possible selection for one the Gallery’s monthly solo art exhibitions or into the gallery’s Artist Showcase.

There is No Theme for this Art Competition so any subject matter and any media are acceptable for consideration.

Open to 2D and 3D professional or amateur artists, including photography & digital art, without any geographical restrictions.

Extensive worldwide publicity & promotion, hundreds of press releases for winning artists.

The deadline to apply to the “Solo Art Series” is May 5, 2024.

For further information and to apply online to this solo art opportunity here: https://lightspacetime.art/27th-solo-art-series-2024/

About Light Space & Time Online Art Gallery
Light Space & Time Online Art Gallery conducts monthly themed online art competitions and art exhibitions for new and emerging artists on a worldwide basis. It is the gallery's intention to help today's artists to successfully market their art to a worldwide audience.

The TCC Foundation has supported student artists at Tulsa Community College for over 30 years. The TCC Foundation Visual Art Scholarship encourages hard-working, community-conscious and goal-oriented creatives to continue with their education both within the Art Department at TCC and when they transfer to earn a Bachelor's Degree in Art.

TCC Foundation Visual Art Scholarship supports two types of awards:

TCC Art Program Award: To apply for this award, student must be a current TCC - Art Major taking Art Core-Curriculum courses. This award is for students who are not transferring to a four-year institution during or immediately after the 2023-2024 academic year. This award is $500.00. There are two $500.00 awards.
TCC Art Transfer Award: To apply for this award, student must have completed (or is near completion) the Art Core-Curriculum at TCC and plans transfer to a four-year institution during or immediately after the 2023-2024 academic year to seek a four-year degree as an Art Major. This award is $1,000.00. There is one $1,000.00 award.
The Art Department extends a sincere thank you to the TCC Foundation and School of Visual + Performing Arts for supporting our visual art students.

Application Requirements
______________________________________
application requirements
Students may apply to one of two scholarship opportunities. Each scholarships' application requirements are listed below.

1.TCC Art Program Award application (award amount: $500.00)

Section #1 - student information
student name, CWID, TCC email address, cumulative GPA, art major, core-curriculum courses completed.
Section #2 - scholarship selection
Section #3 - application questions
In 250-300 words, please reflect on the ways you have provided a positive contribution to the community within the Art Department at Tulsa Community College.
In 250-300 words, please describe your academic and professional goals.
Section #4 - artwork images
TCC Art Program Award applicants submit an image portfolio consisting of 5-7 different artworks created in any TCC Art course they have completed. Students may submit a mixture of 2D and 3D artwork.
Please submit artworks presenting the strongest example of creativity and craftsmanship.
See application for formatting specifics.
2. TCC Art Transfer Award application (award amount: $1,000.00)

Section #1 - student information
student name, CWID, TCC email address, cumulative GPA, art major, core-curriculum courses completed.
Section #2 - scholarship selection
Section #3 - application questions
TCC Art Transfer Award applicants are responsible for completing the application sections for "TCC Art Program Award" plus the additional application sections listed below:
Curriculum Vitae (CV) with professional headers following the College Art Association's Standards & Guidelines.
In 250-300 words, please reflect on the ways you have developed as an art student over the course of earning your Associate in Arts at Tulsa Community College. How will this award help further your goals as an artist or arts professional?
Proof of Transfer Documents.
Section #4 - artwork images/files
TCC Art Transfer Award applicants should submit an image portfolio consisting of 10 different artworks created in any TCC Art course they have completed. Students may submit a mixture of 2D and 3D artwork.
Please submit artworks presenting the strongest example of creativity and craftsmanship.
See application for formatting specifics.
This scholarship opportunity is FREE for Tulsa Community College Art students.

Call to Artists
Celebrate spring with Play Frisco Cultural Affairs as we seek out two-dimensional and three-dimensional artwork that reflects the natural world! All forms of fiber art and nature-themed art in other mediums such as landscape or wildlife-based paintings, printmaking, photography and sculpture will be considered. The exhibition will run June 5 - August 3, 2024.

Two-dimensional artworks must be framed, wired, and ready to hang. Artworks may not be larger than 72” in any direction. The Frisco Discovery Center is a place for all ages and artworks must be unifying, community-centric and family-friendly.

Notification of acceptance: Tuesday, 5/21/24 or earlier

Load-In: Sunday, 6/2/24 between 2PM-4PM at Frisco Discovery Center, 8004 N. Dallas Pkwy, Frisco, TX 75034 in the Grand Gallery

Public Reception: Friday, 6/14/24 from 6PM-8PM with awards announced at 7:15PM. Light refreshments served.

Load-Out: Sunday, 8/4/24 from 12PM-2PM

Questions? Call 972-292-6532 or email Stephen at [email protected]

Application Requirements
It is free for eligible artists to submit images of up to five (5) artworks.

If selected for the exhibition, a $30 entry fee is due by check or credit card prior to load-in, along with a signed gallery guidelines document and artwork loan agreement available upon acceptance.

Submit jpg images of your work by 5/6/24 and include your name and email address, along with the title, medium, and dimensions of each piece being submitted.

A Public Outdoor Sculpture Competition

Sponsored by: City of Sandy Springs in partnership with Art Sandy Springs

For more information, contact: [email protected]

Location: Sandy Springs, Georgia (North Metro Atlanta area)
Honoraria:$1,500 to each of nine selected artists
Eligibility: Open to local, regional and national artists
Application Deadline: Friday, May 6, 2024 11:59 PM MST
Sculpture Installation: August 12 – 16, 2024
Public Unveiling Event: Date to be determined, 2024
This public sculpture competition was created to bring fine art to the parks and public spaces throughout the city of Sandy Springs, the second largest city in the metropolitan Atlanta area. Nine sculptures will be prominently displayed around the four-acre green at City Springs, the City’s town center. One or more sculptures from each competition will be purchased by the City to be permanently placed in public locations around Sandy Springs.

To view the current year’s finalists on exhibit please go to www.sandyspringsga.gov/art-walk

Benefits:

A $1,500 honorarium will be awarded for each sculpture selected for the exhibition. Should a sculpture be purchased, the honorarium will be applied to the purchase price.
Sculptures will be on display in the city’s four-acre City Green, the heart of the City Springs complex.
Sandy Springs will purchase one or more sculptures for permanent installation within the city.
All sculptures will be for sale and will be promoted as such.
A City of the Arts – and a great place for artists to showcase their work

Sandy Springs is home to more than 100,000 residents and is Georgia’s seventh-largest City. The City’s name is derived from an actual spring within the city, and Sandy Springs does not disappoint with its beautiful surroundings. The City is bordered by the Chattahoochee River and has developed a network of award-winning parks, including Morgan Falls Overlook Park and the Abernathy Greenway Park, known for its playable art park.

Sandy Springs exudes a suburban/rural feel with its serene rivers and pristine parks juxtaposed with premier dining and a thriving business community. Many of the Fortune 500 companies which call the metro area home are in Sandy Springs, including UPS, WestRock, Newell Brands, and Intercontinental Exchange, the parent company of the New York Stock Exchange. This balance of business and amenities is attractive to both older and younger generations, with most of the City’s population under age 50.

The City of Sandy Springs is relatively young, incorporating in 2005. From the start, city leaders have prioritized incorporating arts within the City’s brand. Soon after incorporation, Art Sandy Springs (ArtSS), a nonprofit volunteer organization, was founded and launched Arts in the Open, establishing the foundation for building the City’s visual arts program. The organization’s first outdoor sculpture competition was held in 2008, attracting more than ten national and international submissions, with four permanent works purchased with private funds, catalyzing the City’s public art collection. In 2014, through the efforts of ArtSS, the Playable Art Park opened to national praise with six mega sculptures built by artists for kids to play on and interact with, becoming a popular regional destination for children of all ages.

In May 2018, the City opened City Springs, a walkable, multi-use complex including a 1,100 seat performance theatre, studio theatre, conference center, and four-acre City Green. City Springs was envisioned as a gathering place for the community and has filled that vision with its theatre and musical performances as well as becoming home to iconic community events, including the City’s annual Stars and Stripes Fireworks and Sparkle Sandy Springs Parade in addition to the Farmer’s Market and City Green Live Concert Series. The City Green anchors the outdoor stage and is the center point for City Springs.

In 2019, in partnership with ARTSS, the City launched the Arts in the Open Sculpture Competition at City Springs. The competition not only provides a showcase at City Springs, but the selection of pieces from each round has also transformed green spaces throughout the City into mini urban outdoor galleries.

Working in partnership with the City of Sandy Springs, Art Sandy Springs manages the competition, including the Call for Entries (CFE), evaluation and jurying of submissions, and the installation of selected sculptures.

Promotion

Sculptures will be installed on the City Green, the site of popular city activities, such as the Sandy Springs Festival, City Springs Live concert series, Movies By Moonlight series, and the Food That Rocks festival. Audiences at the 1,100-seat Byers Theatre and 350-seat Studio Theatre are steps away from the showcased sculptures.

Artists will be featured on four separate websites:
City of Sandy Springs – www.sandyspringsga.gov
City Springs – www.citysprings.com
Sandy Springs Hospitality and Tourism – www.visitsandysprings.org
Art Sandy Springs – www.artsandysprings.org
Sculptures will be showcased through the social media sites of the Sandy Springs organizations listed above.
Sculpture and artist information are shared with editorial media for additional exposure.
Artists and sculptures will be featured in the City of Sandy Springs e-newsletter.
Visit Sandy Springs, the City’s tourism agency, will promote the sculptures in their own marketing materials as well as in the marketing materials such as the Atlanta Metro Travel Association co-op marketing program, which is comprised of fifteen municipalities in and around Atlanta, and the Georgia 400 Hospitality Highway.
Each sculpture will feature a plaque with the name of the artist and the title of the work.
Daily foot traffic among the sculptures will include individuals visiting Sandy Springs City Hall for business and civic purposes as well as thousands of patrons of the Sandy Springs Performing Arts Center, community events, restaurants, and retail establishments.
Artists whose work are selected for exhibit acknowledge that the City of Sandy Springs, Visit Sandy Springs, Sandy Springs Performing Arts Center, and Art Sandy Springs may use photographs and videos of the artwork to promote the City’s public arts program as well as encourage visitations to Sandy Springs. Arts Sandy Springs will invite the artists to be interviewed and videotaped for possible use on community websites, apps, and in marketing materials that may include but are not limited to:

www.sandyspringsga.gov
www.citysprings.com
www.visitsandysprings.org
www.artsandysprings.org
2024-2025 Exhibition Guidelines

There is no fee for entry.
Artists may submit up to 3 individual sculptures for consideration. ***Each sculpture entry must be submitted INDIVIDUALLY / One Sculpture per Application***
All submissions must be made electronically through CaFE.org and should include a full description of the artwork with a minimum of three (3) photo images (front, side, and back views), an artist’s statement and artist bio. There is no fee to register as an artist through CaFE.org. https://www.callforentry.org/artist-help-cafe/
All artwork shall be the property of the artist submitting the entry.
Artists will receive a $1,500 honorarium for each piece selected for exhibition. If piece is purchased, the honorarium will be applied toward the purchase price.
All entries shall be existing works, completed prior to submission. No incomplete artwork will be considered.
Artwork shall be suitable for outdoor public display and be of high artistic quality as well as safe for an active pedestrian environment and appropriate for viewers of all ages.
Artwork must require only minimal maintenance, if any, and be able to withstand the effects of weather, be as resistant as possible to vandalism, and be able to withstand pedestrian contact.
Artwork shall be undamaged and unblemished. Artwork must be fabricated and finished with non-hazardous materials.
Artists are encouraged to visit the exhibition site during the application period and before the final jury decision.
Artwork will be on loan to the city of Sandy Springs during the exhibition period and may be available for sale to the public. If a sculpture sells, the artwork cannot be removed before the end of the exhibition period. There will be a 20% commission paid to Art Sandy Springs for pieces purchased by entities other than the city of Sandy Springs.
It is the artist’s responsibility to deliver and oversee installation of their sculpture and to be present for the sculpture’s removal at the end of the exhibition. Artwork cannot be shipped as there is no available storage space or staff available for this purpose.
The City of Sandy Springs and Art Sandy Springs reserve the right to reject work that is not the same artwork as was selected in response to this CFE. Artwork may also be rejected if it does not meet call requirements.
All artwork shall be structurally able to be secured to a concrete pad with anchor bolts. Concrete pads are provided for the display of each sculpture. The anchoring method will be approved by the city engineer. For selected artwork, each artist will be required to submit detailed information relating to the proposed anchoring method and provide any and all mounting bolts and hardware. Attachment B provides diagrams with location, dimensions, and weight capacity.
No artwork shall be exhibited without the artist and the city executing a document acknowledging that the artwork has been installed properly and satisfactorily and that the city accepts responsibility for the artwork from the time it is properly installed to the time it is de-installed.
No artwork shall be exhibited without the city of Sandy Springs first having obtained an Artist Agreement executed by each artist selected for exhibition in the competition.
During the exhibition period, the city of San...

Open to all artists 18 years and older. Watercolor, acrylic and gouache mediums on paper, synthetic paper, wrapped canvas, or cradled wood panel are eligible. The San Diego Watercolor Society Exhibition runs from 9/29 – 10/31, 2024. Juror is Ratindra Das, AWS, TWSA. $20,000 in awards, $5,000 First Prize. Paintings will be for sale both in our Gallery and Online! For Prospectus go to www.sdws.org. For questions, please contact [email protected].

All levels welcome, from beginners to the more advanced
Gain an understanding of oil painting fundamentals: LINE, FORM, TONE, COLOUR, COMPOSITION and EDGES
Discover how to bridge the gap between drawing and painting
Learn all about the techniques and materials of oil painting
Subjects include portraits, human figure, still life, landscapes, skyscapes and more
*All materials are provided. For all enquiries please get in touch via the contact page or by phone 07796028921. Thank you!

Learn the fundamental elements of oil painting, and discover a range of techniques in these fun and relaxed workshops. Using reference photographs you will learn how to begin and develop an oil painting to a decent standard.

A single booking gets you 2 lessons that are 1 week apart, amounting to 5 hours in total. The first lesson will focus on the underpainting, taking care to achieve a solid structure and convincing tone. The second lesson is where you will bring your paintings to life with the final layer. You will learn how to match colours accurately, refine the shapes, introduce hard and soft edges, add details, and utilize techniques like glazing and scumbling. Throughout the 2 sessions there will be an open discussion, lots of handy tips, and you can ask as many questions as you like. They’re always welcome!

Oil painting is hard, but it's also very forgiving. The marks you initially make do not need to be the marks that stay. Through the continual application and removal of paint you will discover that you are in control and, with practice, can overcome many of the difficulties we are faced with. Learning how to see and what to look for when painting from observation is perhaps the most valuable lesson, and from there we can explore an endless range of possibilities.

Each year, we choose up to 10 rising stars to compete for our $5,000 Rising Star Award. Emerging performing artists with roots in Howard County can apply to be among the finalists who will perform at our Celebration gala — with the winner voted on by the audience! The competition is open to performers, both individuals and ensembles (up to four members), ages 18-35, who live, train, work or perform regularly in Howard County or have done so in the past.

Following the finalists’ performances at the gala, the audience — including over 500 artists, arts patrons, community members and business and political leaders — casts their votes for the winner. Votes are tallied during the live event and the award winner is announced on stage! We may also give additional awards based on the amount of funding raised from the event.

Be part of the excitement!

The Howard County Arts Council established the Rising Star Award in 2003 to provide opportunities for emerging performing artists with roots in Howard County. Let us help shine a light on your talents. Submit your application to compete as one of our finalists!

Sacramento County Department of Airports Request for Qualifications and Experience (RFQ&E)
Deadline: Thursday, May 7, 2024, 4:00 p.m. PDT

The Sacramento County Department of Airports invites artists and artist teams to submit a statement of qualifications and experience for the Design, Fabrication, and Installation of Public Artworks at Sacramento International Airport (New Terminal B Parking Garage and Pedestrian Walkway Projects)

SMForward, which includes six major construction projects, represents a historic opportunity to integrate art into the traveler’s experience while reinforcing and contributing to the Sacramento region’s identity.

Blue Space Gallery - " Expressions of Humanity ", an international competition and virtual exhibition. Artists of all ages from around the world are invited to participate, with complete freedom in choosing their medium and style. Submissions should revolve around the central theme of " Expressions of Humanity”. Entry is free; only those artists whose submissions are chosen as finalists will be required to pay a $35 participation fee. Finalists will have their artwork showcased in the online exhibition and will advance to the final jurying round in consideration for cash prizes and the opportunity to win the grand prize of $1,000. Awards will be granted to those whose work demonstrates the greatest level of creativity and artistry.

Theme:

"Expressions of Humanity" invites artists to explore the diverse facets of the human experience through their creative interpretations. This theme celebrates the essence of what it means to be human, encouraging participants to delve into the depths of emotions, relationships, struggles, triumphs, and the intricacies of our shared existence. Whether through portraiture, abstract representations, or narrative-driven works, this competition seeks to showcase the myriad ways in which artists perceive and express the essence of humanity, fostering empathy, connection, and understanding through the universal language of art.

New quarterly award for artists who want to change the world through the way they live or the work they make. Artists working with themes of environmental and social justice from anywhere in the world are eligible to enter the award.

Inequality in the art world is rife, around 85% of artists represented by US institutions are white and many classical paintings have been found to have racist undertones or themes. Not to mention the gender pay gap, of the $196.6bn spent at auctions between 2008 and 2019, work produced by women accounted for only £4bn, a measly 2% of the total sales. What's more, in music, performing and visual arts only 22% are from working class backgrounds compared with 60% from more privileged backgrounds.

The award by conceptual artist, Amy Jackson which launched in 2023 with the first winner receiving £250 in prize money to invest in their artwork. The bursary will take place every year and will be a minimum of £250 or 50% of the artist's profits that year (whichever is higher). Artists anywhere in the world, working in any medium are eligible but they must demonstrate an interest in environmental or social justice in their work or practice.

"It’s not just about giving a voice to those otherwise unheard but trying to demonstrate by example, a new way of living and thinking about money".

The award is open to any artist, working in any medium, anywhere in the world, at any age or stage in their career. The winner will be selected based on three simple criteria:

How conceptually strong the work or artist's practice is in relation to the theme "environmental and social justice"?
How technically strong the work or artist's practice is when judged as a piece of contemporary Fine Art?
To what extent will the bursary benefit the artist and their practice.

Entry requirements are intentionally simple in order to save artists time from lengthy open call applications. Simply prepare:

Your work (up to three images)
A brief description of the work (up to 200 words)
A link to complementary images or videos (if needed to explain the series of work)
A short biography (150 words)
A short explanation how this award will benefit you or your practice

The judges 2024:

Emma Cousin
Olivia Bax
Amy Jackson

Curious to find out how you can master writing about your art? It is an industry-standard that artists must often provide context for their work through an artist statement for art prize applications. Join us on the 9th of May 2024 for an exclusive online masterclass designed for artists, "Crafting Compelling Art Prize Applications and Artist Statements." Hosted by Karen van Hoey Smith, Art Director, this masterclass is a valuable opportunity to gain insights from renowned panellists Karen Turner, Dubel Art Prize Finalist, and Josephine Zentner, Jackson's Art Prize winner.

Karen Turner
Karen Turner is an award-winning figure and portrait artist whose oil paintings are a commentary on the weight of expectations. Focusing on the physical body and the scrutiny to which it is commonly subjected, her paintings explore what society expects of a woman, the ways in which a woman’s shape is often considered to define her, and the impact that this has on her life and sense of self.
Karen was the winner of the VAA Professional Artist Award in 2022 and is currently one of ten finalists for The Dubel Emerging Artist of the Year Prize. She was awarded the President’s Prize by the Institute of East Anglian Artists and has been a finalist in the Beautiful Bizarre Art Prize, the Holly Bush Emerging Woman Painter Prize and the Theo Paphitis Art Prize. She exhibits with The Other Art Fair and has recently held her first solo show in London with Red Eight Gallery.
Josephine Zentner
Josephine Zentner is the Art Prize and Gallery Coordinator at Jackson's. She produces the annual international competition that attracts thousands of entries per year, resulting in two London exhibitions of shortlisted works. Being a practicing artist herself, Josephine offers first hand insight on submitting art to competitions.
Key Learning Outcomes
1. Refine Your Art Prize Applications: Learn how to craft compelling and impactful art prize applications that catch the attention of award juries and grant committees.
2. Master the Art of Writing Artist Statements: Understand the nuances of writing artist statements that effectively communicate your artistic vision, process, and unique voice.
3. Gain Insights from Industry Experts: Benefit from the experience and expertise of our esteemed panellists as they share tips, examples, and best practices from their successful art prize journeys.
Who Is This Masterclass For:
o Artists at any level of their career
o Artists who struggle to communicate the meaning behind their artwork
o Artists looking for professional opportunities
o Artists who want to know if their prize/exhibition applications are up to scratch
Registration:
Secure your spot by registering for this enriching masterclass. Premium members can enjoy this session as part of their exclusive benefits, while non-members can register for £19.99. Standard members can gain a 10% discount.
Don't miss out on this opportunity to elevate your art career and master the art of crafting compelling art prize applications and artist statements. Register now and prepare to unlock new dimensions of artistic success!
This masterclass is brought to you by the Visual Artists Association, committed to empowering artists and fostering excellence in the visual arts.

Oil Painters of America’s 2024 Salon Show of Traditional Representational Oils, July 25 - August 16, 2024, at James R. Ross Fine Art, Indianapolis, IN. Awards approximately $12,000 in cash & merchandise, including a $4,000 cash best-in-show award. The juror will be Robert Johnson OPAM. Artists eligible to compete are citizens - both natural born or otherwise - of the continent of North America who are 2024 OPA members. Submissions are accepted through 5/10/2024. The entry fee is $35 for one, $50 for two & $60 for three; only one may be accepted. Maximum size limitation 432 sq in. The acceptance list will be announced on 5/31/2024.

Radiance is a new, summer exhibition hosted by ADC Fine Art featuring artwork that evokes happiness and warmth. ADC's mission is to create beautiful corporate, healthcare, and residential environments using artwork from contemporary, living artists. The selected artists will have their work shown in our 13,000 sq. ft. mega gallery located in Cincinnati, Ohio. All mediums and styles will be exhibited including painting, sculpture, photography, glass, ceramics, mixed media, installations, and conceptual works!

Del Ray Urban Sketchers. “Working Out (St. Elmo’s)” by Cathy Messina. Usually meets second Sunday of the month outside at St. Elmo’s Coffee Pub in Del Ray. This program is FREE! Donations appreciated. Emphasizes storytelling that conveys a sense of place or a moment in time through drawings completed from direct observations. Del Ray Urban Sketchers operates on a drop-in basis and typically meets the second Sunday of each month. Bring your supplies and join us to produce still life, figure or architecture subjects in your sketchbook. Participants will spend some time putting their skills into practice and then reconvene for a review of finished works.

Bring your supplies and join us outside at the cafe to produce still life, figure, or architecture subjects in your sketchbook. Participants will spend some time putting their skills into practice and then reconvene for a review of finished works.

This program is FREE! Donations appreciated.

Established in 1988, the Arts at the Airport Foundation is an ever-growing, ever-changing showcase of Tennessee’s cultural heritage and creative talents. The terminal and surrounding facilities at Nashville International Airport were designed to incorporate rotating public art exhibitions and permanent acquisitions for the enjoyment and enrichment of its passengers, visitors, and employees.

The Flying Solo Exhibition Series is supported by the Metropolitan Nashville Airport Authority (MNAA). Each exhibit will be four months long. Artwork is expected to be framed and ready to display. Artist is responsible for delivering and picking up artwork from BNA. An honorarium is awarded to exhibiting artists ranging from $750 to $1,500. Arts related community groups as well as schools are eligible to apply in addition to individual artists.

FLYING SOLO

Part of the Arts at the Airport program, the Flying Solo Exhibition Series was developed in 1996. The 27-year-old series provides a highly visible venue for Tennessee artists, acts as an advocate for artists, and offers visitors a taste of the rich art and craft culture of our region.

EXHIBITION SPACES

There are several new exhibition spaces due to the recent BNA Vision construction/renovation projects at the Airport. There are six spaces that will accommodate two-dimensional artwork and two spaces that will exhibit three-dimensional work. Please note on your application which you will be exhibiting.

Art Cases – Artists working in three-dimensional media.

Concourse A – 3 cases, 15 ft. w x 5 ft. high x 1 ft. deep each

Located inside the International Arrivals Corridor, but visible to all of Concourse A through glass windows. Sliding glass doors make this an excellent space for smaller three-dimensional objects (only 1’ deep) as well as two-dimensional artwork.

Concourse D – 1 case, 10 ft. wide x 7 ft. high x 21 inches deep

Located on Concourse D near Gate D2. It has a sliding glass door making it an excellent space for three-dimensional objects as well as two-dimensional artwork.

Art Exhibit Walls – Artists working in two-dimensional media including photography (artwork must be framed or able to be protected by plexiglass – profile less than 4 inches including frame and molding).

A/B Waiting Area – Curved wall, 35 ft. wide x 12 ft. high, two-dimensional work only.

Concourse D – 2 Art Walls, 10 ft. wide x 7 ft. high each (1 artist)

Located on Concourse D near Gates D3 and D4. The spaces are for two-dimensional artwork only.

Level 1 Waiting Area – up to 4 spaces, 30 ft. wide x 6 ft. high each

Located on the non-secure side of the terminal on Level 1 near the International Arrivals Waiting Area. Two-dimensional artwork only.

Application Requirements
SELECTION CRITERIA

Selection criteria include the applicant’s professional qualifications, proven experience including a history and/or ability to undertake installations of a similar scope, and artistic merit as evidenced by submitted visual materials.

SELECTION COMMITTEE

The Selection Committee is comprised of members from the Arts at the Airport Board of Directors and the MNAA’s Community Affairs division.

Complete proposal submissions must include:

1. 7 Digital Images – of representative work

2. Brief Artist Statement about proposed exhibit

3. Short Bio, 1 to 2 paragraphs

4. Résumé or Curriculum Vitae, not to exceed 2 pages

5. Short Answer Questions

Please tell us about your connection to Tennessee. (i.e. "I am currently a Tennessee resident", "I lived in Tennessee for 12 years while teaching at ____ College," etc.)

Artist's Statement
Please provide a brief statement (1000-character limit).

Please include a brief one-to-two paragraph bio.

Please upload an artist resume, not to exceed two pages.

Are you applying for two dimensional or three-dimensional artwork space?

Deadline for proposals is Sunday, May 12, 2024 at 12 Midnight, Mountain Standard Time / 1:00 a.m. Central Standard Time.

There is no specific theme for this call for entry, allowing artists the freedom to explore subject matter and ideas that are meaningful to them. Artists are invited to submit works that convey the concepts behind their creations, along with an artist statement that supports their work. All still media are welcome except AI-generated images. Please submit between 3 and 20 pieces of artwork.

AWARDS and Participation Benefits

Purchase Award of $1,000*
One artist will be awarded the Purchase Award at the conclusion of this call. Please read more about the Purchase Award on our website.

The CollexArt Grand Prize of $5,000 – will identify a single artwork as the best of the year. The Grand Prize will be awarded in March of 2025. The prize will go towards the acquisition of the artwork, including if applicable, production, framing, shipping and customs costs.

$1,770 in Artist Websites Powered by FolioLink
5 artists will be awarded one-year of FolioLink artist website service which includes the option to renew at a discounted subscription rate after the first year.

CollexArt Store and a Dedicated Artist Page
Submitting artists may be invited to be featured in our Artist Profile Pages, have their work included in the CollexArt Store and in the curated Online Exhibit Space.

Artists are invited to submit original artwork for the Sculpture at the Kavanagh exhibit. The show is open to any 3-D work in any sculpture or craft medium. No paintings, photographs, or other 2-D work will be accepted.

The Hopper Prize is now accepting entries for our Spring 2024 artist grants.

We are offering grants in the amount of $3,500 (2 available) and $1,000 (4 available) to artists & photographers worldwide working in all media. In total, 6 artists will receive unrestricted cash grants totaling $11,000.

Submissions will be juried by
— Lauren Rosati, Associate Curator, The Metropolitan Museum of Art
— Maya Brooks, Assistant Curator, North Carolina Museum of Art

Our open call provides you with a direct path to get your work in front of these forward thinking exhibition makers. In addition to grants, 30 artists will be selected for a shortlist. Additional exposure is available via our online Journal as well as our Instagram feed, currently reaching an audience over 115k.

This is an international open call available to artists around the world. All visual art media is eligible.

Green & Stone, the internationally renowned art shop, opened the Gallery in 2018.

Each year, we host two open calls in search of emerging talent. The first prize of our Summer Exhibition is a fully funded solo show. Previous winners include Nneka Uzoigwe, Michael Slusakowicz and Tushar Sabale. Since exhibiting with us, these artists have soared within the artistic community.

We take pride in being many artists' first rung on the ladder of success. We are a gallery orientated towards emerging artists with incredible talent and potential. The work we exhibit is unique, contemporary and affordable. Our growing community is testimony to the success of our model. Our ambition is to create a space that will become a primary resource upon which artists, collectors, researchers, curators, and the broader artistic community might draw and benefit in the future.

Since 2018, our Summer Exhibition has grown exponentially. It is now accompanied by over £20,000 worth of prizes and a notable selection panel that changes yearly, encouraging a refreshed selection. Selection is done blindly and assessed purely on the quality of the artwork. The selection culminates with the Private View, a fantastic opening night hosted by the Gallery, which spills onto the street. This is an excellent opportunity to network with artists, curators, collectors, and art lovers. All are welcome and encouraged to join.

This year, we are excited to announce the expansion of our Gallery, which will add another room to our Summer Exhibition. This room will allow another additional 40 - 50 artworks. We are also excited to announce we will be giving the fantastic Young Artist Award, a cash prize of £3,000, which was generously donated by the de Laszlo Foundation for the third year running.

Be part of the most exciting virtual art gallery, according to the British GQ Magazine!

Artists from all countries are welcome to submit their works for consideration. You are welcome to submit works in any medium. (painting, photography, printmaking, video art, installation, films, sculpting, mixed media, poems, illustration, etc). The theme of the exhibition is OPEN.”

Offered since 1954, the James Laughlin Award is given to recognize and support a second book of poetry forthcoming in the next calendar year. The award was endowed in 1995 by a gift to the Academy from the Drue Heinz Trust. It is named for the poet and publisher James Laughlin (1914-1997), who founded New Directions in 1936.

The winning poet receives a prize of $5,000, an all-expenses-paid weeklong residency at The Betsy Hotel in Miami Beach, Florida, and distribution of the winning book to approximately one thousand Academy of American Poets members.

Submissions for the 2024 James Laughlin Award are accepted from January 1, 2024 to May 15, 2024. The judges are Tarfia Faizullah, Keetje Kuipers, and Barbara Jane Reyes.

This grant category offers grant funding for Professional Fees and Supplies for arts projects which focus on increasing access to underserved and underrepresented people which may include ethnic groups*, people with disabilities, people aged 60 years and older, and active-duty military/veterans and their families.

Are you interested in being a part of the next generation of BIPOC arts journalists? Join our next BIPOC Critics Lab Cohort, in partnership with founder & cultural critic, Jose Solís! Applicants who were not accepted to any past cohorts are encouraged to apply again; previously accepted Lab participants are ineligible to re-apply. Applications are now open until Wednesday, May 15. Learn more here.

The Public Theater is hosting cultural critic Jose Solís’ BIPOC Critics Lab in the 2024-25 season. After successfully hosting the 2023-2024 cohort, The Public is honored to continue Solís’ commitment to creating an educational space for BIPOC (Black, Indigenous, People of Color) writers in the realm of cultural criticism.

Sessions for the Lab will span the course of The Public’s 2024-25 season. Those chosen to participate will receive offers to join the cohort in late June, with the cohort officially beginning in mid-September. This iteration of the cohort will be a hybrid model of online sessions and option in-person activities.

The program begins with ten 90-minute weekly sessions on Zoom for cohort members to define “What My Criticism Will Be”, to take place in Fall 2024. Additional learning opportunities will take place in the spring on a semi-regular basis. Participants who meet the attendance requirements will be assigned a future commissioned piece with compensation.

Following the tenets of dialogue, compassion, and nurturing one’s unique voice, future critics who participate in the cohort will contribute to the creation of a custom program that fits their specific needs and encourages them to pursue the path of criticism that best serves them. Participating in the cohort is at no cost to members. Selected members will have the opportunity to learn all aspects of arts journalism through a variety of mediums beyond the written word. BIPOC experts in the field also serve as guest speakers for the Lab. Writers who meet the attendance requirements at the culmination of the program will be assigned a future commissioned piece with compensation.
About the BIPOC Critics Lab
The BIPOC Critics Lab was founded in 2020 by Jose Solís as a first-of-its-kind program designed to train and create work by emerging BIPOC theater journalists. Solís noticed a gap in training based on his own experience as a cultural critic in the field and created an educational space for BIPOC writers who had not been welcomed into cultural criticism, whether due to systemic oppression, lack of opportunity, or because they didn’t know they were allowed to see themselves as critics. Solís solicited applicants for the first cohort through Twitter where over 100 BIPOC participants expressed interest in participating. From 2021-2023, The Kennedy Center hosted the BIPOC Critics Lab online as a part of the American College Theater Festival. In the summer of 2023, a cohort was also co-hosted by the Stratford Festival and Intermission Magazine. During its 2023-2024 season, The Public Theater hosted its first BIPOC Critics Lab cohort. Alumni of the program have gone on to write and work as editors for outlets such as The Los Angeles Times, Andscape, Elle, Glamour, American Theatre, Broadway News, 3Views, Brooklyn Rail, and Token Theatre Friends.

THEME- "WATER" covers 71% of the Earth's surface and is vital for all known forms of life. 96.5% of the Earth's crust water is found in seas and oceans. Although the sea moderates the Earth's climate and has important roles in the water, carbon, and nitrogen cycles, it is often viewed for its beauty, power, and life. We would like to see your interpretation of water. PAY IT FORWARD- We will be donating 10% of all entry fees from this show to The Water Project. The Water Project, Inc. is a 501(c)(3) non-profit organization unlocking human potential by providing sustainable water projects to communities in sub-Saharan Africa who suffer needlessly from a lack of access to clean water and proper sanitation. Colors of Humanity Art Gallery LLC is not affiliated with The Water Project. JUDGING CRITERIA- Originality, interpretation, quality, demonstration of ability, and usage of medium. JUROR- Janelle Cogan.

For nearly 80 years, Sawtooth has been a creative hub for the region—an energetic craft school environment in downtown Winston-Salem, NC. Our year-long Artist-in-Residence programs encourage the development of new skills, connections, and bodies of work while assisting with studio operations.

Ceramic Residents, 2 in wood firing and 1 in electric/gas firing, are given 24/7 access to studio space, materials at cost, free firings, and the opportunity to teach, inspire, and energize our community.

Our Gondring Resident in Woodworking will receive round-the-clock access to Wood and Lathe studios, a semi-private studio space, and a $3,000 stipend in exchange for working several hours per week.

Residents are chosen by the Studio Directors, along with a rotating jury. Applicants are evaluated based on the quality of their work, their dedication to their craft, and their willingness to bring fresh perspectives to the creative community at Sawtooth.

The City of Rahway envisions a community in which art and design enrich all aspects of public life and where artists and creatives find opportunity to thrive. The City invites artists to submit their qualifications for the Public Art Program. The City will create a list of pre-qualified artists through this call to artists. Artists chosen for the Pre-qualified Artist List will be eligible for consideration for upcoming public art projects, murals, and sculpture installations in the City of Rahway. Pre-qualified artists will remain on the list through December 2026. Inclusion in the list does not guarantee a commission.

Abandoned is an exhibition exploring abandoned and rediscovered objects, spaces, and structures. A popular genre in the photographic world is the trend of urban exploration ("urbex”), the exploration of abandoned or forgotten places to document the narrative of those who lived or worked there. Through the captured image, we can glimpse the ephemeral nature and memory of ourselves and our surroundings and preserve them before being lost to time and place. What do these structures and objects convey about society as we leave them to decay? What is the essence of time and place, and what-or whom-are we abandoning?

Abandoned is an international open call for photographers ages 18 and older. All forms of traditional and non-conventional media, and conventional or alternative processes with a subjective analog or digital photographic base are welcome for submission.

The Studios of Key West, the premier arts organization at the Southernmost Point of the United States, offers a residency program for emerging and established artists and writers from around the world. The Studios provides residencies to visual artists, writers, composers, musicians, media artists, performers, and interdisciplinary artists.

The Peyton Evans Artist Residency (PEAR) program grants nearly 40 artists each year the time and space to imagine new artistic work, engage in valuable dialogue and explore island connections. The PEAR Program is community-based and built upon the hope that visiting artists will take inspiration from Key West’s rich artistic past and present, and will engage with — and be inspired by — the remarkable people and culture that surrounds them. Key West’s official motto, “One Human Family” reflects our commitment to living together as caring, sharing neighbors dedicated to making our home as close to paradise as we can. To that end, we encourage artists of all races, nationalities, gender identities, sexual orientations, and abilities to apply.

Our residencies are one month; they run from the 2nd day of the month to the last day of the month. The newly renovated residency guesthouse (PEAR House) is right next door to our flagship building, in the Old Town neighborhood, just a block off of Duval Street. Even being so close to the downtown action, the PEAR House is an oasis of quiet, with a beautiful, spacious courtyard shaded by a massive banyan tree. It’s dripping with Key West history and character. Artists will have access to a shared kitchen, a covered outdoor common area, a second floor wash/work station and a shaded courtyard. All living spaces include a private bedroom and bathroom; some include a detached workspace, some are combined. One residency is ADA accessible on the ground floor, and three are second floor spaces (one is a loft). All spaces have A/C. The kitchen is well equipped, linens are provided and there are laundry facilities on site. Most cell phones work fine and there is Wifi access. There are no televisions.

The Studios of Key West was founded in 2006 with the initial inspiration of simply providing space for artists to live and work, thereby drawing creative people to our island and enriching the lives of all who live here. In those earliest days, our founder Peyton Evans gathered fourteen of Key West’s most successful artists and writers and arranged for them to participate in artist residency programs throughout the country, then return to help us craft our own program combining the best of what they’d seen and learned. Hundreds of writers and artists have since come to Key West through the PEAR Program, many returning and several relocating permanently. Each has benefited from the island’s unique character, and left something of themselves behind. The PEAR Program celebrates the spirit of exploration with which it was founded, the artists it was established to serve, and the vision, wisdom and generosity of the woman for whom it’s named.

The Studios of Key West’s mission is to support artists, inspire creativity and build community.

Through generous sponsors we are able to provide the following extras to use during your residency: BEST OF KEY WEST RENTALS. Generously provided your linens, bedding and towels. FORT ZACHARY TAYLOR STATE PARK. We want you to visit the state park and beach as much as you’d like! Our pass unfortunately needs to be tied to a staff member, so you can coordinate a day to go together, or we’ve got a gift card you can use to visit on your own time. The card is in the PEAR House, be sure to bring it so you don’t have to pay the entry fee. KEY WEST YOGA SANCTUARY. Free yoga classes all month! Register for your first class online with code ‘PEAR’ then connect with staff to get set up with a full month at your first visit. YOGA ON THE BEACH. Meet at Ft. Zach Beach by 8:15am to flow with Nancy and Don. PEARs get your first class free! KEY WEST PUBLIC LIBRARY. We’ve partnered with the library to offer you a library card to use during your stay. Key West Library has an extensive catalog of books and other media, plus e-books and audiobooks available for download and even some special events! Their calendar has more about what’s going on. LAZY DOG ADVENTURES. Lazy Dog does it all – kayak and paddle board tours, rentals, lessons and classes, paddle yoga and fun boat adventures! They’ve offered a paddle pass for PEARs – simply inquire with staff about an available day and they’ll hook you up with a free rental. WE*CYCLE. The fun way to get around town! Public transportation with 2 wheels. They provided your conch cruiser or tricycle.

The Art-in-Education (AIE) Workspace Residency is for artists interested in working with local school students while creating their own work in WSW’s supportive and immersive environment. This is an opportunity for artists with a range of teaching experience, from seasoned teachers and professors, to those with minimal experience and an interest in gaining skills and knowledge.

The Art-in-Education program is a model for arts education and operates in conjunction with the Kingston City School District. AIE provides a high quality arts experience by bringing students to WSW’s professional artists’ workspace and giving them concentrated time to learn. Our staff and AIE program manager work with the school’s teachers and the resident artists to develop and execute a curriculum related to the students’ in-school work.

Resident artists must be able to teach intaglio, silkscreen, or hand papermaking, and are welcome to complete their personal work in any of WSW’s studios: intaglio, letterpress, papermaking, screenprinting, darkroom photography, or ceramics. All artists receive a thorough studio orientation and are expected to work independently, though studio staff is available to provide assistance. Deep technical assistance can be arranged for an additional fee. Artists must provide their own materials, some of which can be purchased from WSW.

Spring residency 2025: During a five-week residency, artists teach fourth and/or eighth graders in WSW’s studios two days/week for three weeks and visit the students twice in school. In exchange for teaching, residents receive 24/7 studio access during non-AIE sessions and on-campus housing.

Fall residency 2024: During a four-week residency, artists teach high school students in WSW’s studios one day/week and visit the students in school at least once.

As of 2019, all workspace residencies are fully subsidized! This means that while artists are still responsible for their own travel, materials, meals, and other personal incidentals while in residence, WSW provides housing and studio space at no cost.