In an inspirational setting removed from the distractions of daily life, CIAR’s Fall Residency Program offers visual artists focused time and a uniquely supportive environment to develop their work. On a small island off the coast of Massachusetts, CIAR hosts a group of twelve artists, who are invited to use the island itself as their studio. Living together in the historic Avalon Inn, the residents have uninterrupted time to become immersed in their creative process. Many use the time to reflect, learn from one another, and find inspiration from their costal surroundings. Residents build insight and camaraderie as they sit down to meals together, cooked by CIAR's wonderful chef.

In 2024, Duke Riley will deliver the Visiting Artist talk and Dr. Katie Castagno will join as our first Visiting Scientist, to create interdisciplinary dialogue and to explore Cuttyhunk through an ecological and climate-based lens.

Participants can select two options for their time on Cuttyhunk, with cost based on room choice:

Shared room for $1,950

Single room for $2,400 - $2,600

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CIAR program costs include:

accommodation at the Avalon Inn (including all linens and towel). Read more here.

three daily meals prepared by our chef

visiting artist talk

access to Cuttyhunk Island, including use of golf carts at the Avalon

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Participants are responsible for their own travel to and from the residency, including their ferry tickets and luggage from New Bedford, MA. Participants may need to spend the night in New Bedford to catch the morning ferry. Please take these costs into account when budgeting for the experience.

Participants can select two options for their time on Cuttyhunk, with cost based on room choice:

Shared room for $1,950

Single room for $2,400 - $2,600

​

CIAR program costs include:

accommodation at the Avalon Inn (including all linens and towel). Read more here.

three daily meals prepared by our chef

visiting artist talk

access to Cuttyhunk Island, including use of golf carts at the Avalon

​

Participants are responsible for their own travel to and from the residency, including their ferry tickets and luggage from New Bedford, MA. Participants may need to spend the night in New Bedford to catch the morning ferry. Please take these costs into account when budgeting for the experience.

Course Description
This workshop will focus on Portrait Painting Fundamentals. The instructor will demonstrate on day one how to Block-in directly on the canvas with the brush. No previous drawing or transfer is necessary. The painting will be developed in 4 Layer: Block-in, Underpainting, Form Pass and Over Passes. Diana will explain each step with demos and lectures, including the structure of the head, comparative measurements, color properties, Light and form. Students begin working on day one in the afternoon session after Diana’s morning demo. A long pose will serve the student to slow down and learn how to work from observation and achieve likeness and naturalism.

A fundamental part of the workshop will focus on understanding our palette and characteristics of color: Hue, Value and Chroma. Diana will lecture and demo at the beginning of the class, followed by individual critiques.

See detail schedule below:

Day 1: Direct Block in with Raw Umber on the canvas. Lecture on the Structure of the Head and Comparative Measurements in the morning. Students work in the afternoon, individual critiques.

Day 2: Diluted and abbreviated Underpainting using Raw umber and White. Demo in the morning. Students continue working on their block-in of necessary or begin the underpainting. Individual critiques.

Day 3: Form Pass with Color. Demo and Lecture on Color and Form in the morning. Students begin working in the afternoon. Individual critiques.

Day 4: Form rendering continues. Diana demoes alongside the students while they work in their paintings. Students work all day. Individual Critiques all day.

Day 5: Final day. Diana will explain how to come back to a painting to do the revision passes, including the Oil out technique, Palette knife scrapping, and sand paper technique. During the revision passes, the Over Passes are made as well, such as Glazings, Stumbling and Impasto. Diana will explain the differences of each one and their applications. Lecture and demo in part of the morning, students begin to work after the demo. Individual critiques.

Diana recommends using the Apelles or Limited palette and work on linen. Please see the the supply list.

This workshop is open to all levels of painting, however, a previous knowledge of drawing is strongly recommended.

A newly envisioned design program, The Colony Residency works to introduce the international design market to emerging American talent. Through an 8 month incubator program resulting in an exclusive collection, The Residency ushers forth a new generation of designers, artists and makers into the contemporary design vernacular of today. Working from a rich foundation of curation, exhibit design, design education and collaborative design development, Colony works with a tightly curated selection of young designers guiding them through a vigorous curriculum of product development and design entrepreneurship. Each curriculum culminates in an exclusive collection, exhibit and a moment of true discovery for the greater design community.

Dreams, humor, fantasy, creativity are pursuits that keep the human spirit alive. Imagination makes possible our thinking about what is and what might be. We are looking for art that ignites curiosity and delights the senses, encouraging us to take some time away from the world as we know it and enjoy the creative power of Imagination! Submit your art that offers a unique glimpse into your imagination and allows viewers to see today’s world through your eyes, inspiring meaningful dialogue, spur thinking or simply allow us to dream! 2D Painting, Drawing or Illustration in any style created in acrylic, watercolor, oil, pencil, gouache, pastel, ink, charcoal, or mixed media. No photography, no digital art. About our juror DAVID H. REUSS: “Strength is what appeals mostly to me in art. The work can be any medium, style, subject or size, however in the end the work must have power.” David Reuss is a proud New York City native with over thirty years’ experience in illustration and fine art. His work encompasses an array of subjects, mediums and clients. He is an award-winning member of the Salmagundi Club where he also teaches painting and drawing. An Executive member of the Society of Illustrators, he currently serves as Membership Chair and Treasurer. He holds a Bachelor of Fine Arts from the School of Visual Arts and earned his Master’s Degree in Arts and Cultural Management at Pratt Institute. More Info about David Reuss: https://www.blackwolfstudio.com/

The Studios is a unique residency housed in MASS MoCA - one of the world's largest contemporary art museums. The Studios residency hosts artist and writers within the museum’s factory campus and is surrounded by the beautiful Berkshire Mountains. Operated by MASS MoCA’s Assets for Artists program, the residency runs year-round and hosts up to 10 artists at a time. Artists of any nationality can apply for stays of 2 or 4 weeks.

We offer 24/7 studio space on MASS MoCA's campus, housing across the street (private rooms in shared apartments), one group meal per day, member-access to MASS MoCA's galleries, access to professional development webinars though our "Assets for Artists" program, and opportunities to share your work with an international cohort of peers as well as museum staff and community members.

The residency program has several different fellowship programs including General Fellowships, and fellowships specifically for Massachusetts-based Artists or Writers, Oregon-Based Visual Artists, Puerto Rican Artists, Black or Indigenous Visual Artists or Writers, and more. For more information, read below.

This workshop is for the painter looking to enhance their skills while depicting coastal scenery, be it the marshes of Southeastern Connecticut, or the crashing surf of Down East Maine. An inspirational and encouraging environment will be fostered through critique and advice. Individual attention and demonstration will be emphasized, as well as the importance of subject choice and personal inspiration. Although oil colors will be the demonstration focus, all media are welcome for working and practice. The prevailing goal will be to approach painting as a fulfilling and enjoyable experience…a learning process that allows us to grow as artists and creators with any subject matter we choose.

Abstraction
Deadline for submissions: Jun 10, 2024
Juror: Janet Jeffers
Prints due: Jul 19, 2024
Exhibition: August 2 - August 23, 2024

Abstract images combine shapes, color, pattern, texture and imagination to create an image that is largely independent of visual reality. For this exhibition we seek abstract lens-based images made and modified in whatever way you choose.

We are very pleased that Janet Jeffers will jury the exhibit. She will select approximately 35 images for exhibition in the Middlebury gallery, and 40 for our Online gallery. All 75 selected images will be promoted on social media, reproduced in the exhibition print catalog, and remain permanently on our website, with links to photographer’s URL.

Image: Lawrence Matthews @LawrenceAnthonyPhoto
Lmatthewsphoto.smugmug.com

The Vilcek Foundation will award three Vilcek Prizes for Creative Promise of $50,000 each to young, immigrant visual artists and three Vilcek Prizes for Creative Promise of $50,000 each to young, immigrant curators who demonstrate outstanding early achievement in their field.

Who Should Apply:
You were born outside the United States to non-American parents
You are not more than 38 years old
You have 5 years of professional experience in visual arts or curatorial work and possess a strong track record of creative and high-caliber work

When talking about competitions dedicated to 21st Century Realism, the International ARC Salon is the largest in the world. With over $130,000 in cash awards and international recognition through partnerships with prestigious magazines, galleries, museums, and more, don’t miss your chance to compete. Categories include: Figurative, Portraiture, Imaginative Realism, Drawing, Landscape, Still Life, Plein Air Painting, Fully From Life, Sculpture, Animals, and a special category for teens.

Rochester Contemporary Art Center (RoCo) and ImageOut Art seek artist submissions for a juried exhibition opening in Rochester, NY in October 2024. Queer art has achieved greater prominence in recent years, yet the LGBTQIA+ community's struggle for freedom and equality persists. We hope this exhibition will serve as a reflection of our current moment, and as a poignant response to the alarming rise of anti-LGBTQIA+ legislation sweeping the nation.

Artist submissions are due on June 15, 2024 by 5pm. We welcome 2D, 3D, and electronic media that showcases experiences, emotions, and thoughts on the evolving struggle for LGBTQIA+ rights and representation. Artists located in the United States of all backgrounds, identities, and those exploring all narratives of genderqueerness are invited to apply.

Accepted artists will receive a stipend to help offset the cost of production or transport of their work. This exhibition will be juried by a diverse panel of arts professionals who identify as LGBTQIA+. The exhibition is a project of the ImageOut Art Committee in partnership with Rochester Contemporary Art Center.