Course Description
If you’ve ever wondered how you can make fully finished paintings of fleeting subjects (flowers which wilt, food which rots, etc.) then this is the class for you!
In this workshop we will focus on creating a fully resolved still life painting in a direct manner which will allow for improvisation in terms of our composition and also allow us to make fully finished paintings of subjects which may not give us a lot of time to work with them.

We will skip the initial drawing and underpainting which many of us are used to doing, in favor of diving right in and finishing each element as we go. During the course of the week we will discuss how to paint light and form, color mixing, paint handling and many other aspects of painting as well as discussing how to build a composition “on the fly” as we go.

Students will be able to pick their own subject matter for their paintings, and can choose to paint objects which will remain stable for the entire week, or can choose subjects which will change more quickly.

This course is open to all levels and there will be instruction geared towards beginners and advanced students alike.

Course Description
If you’ve ever wondered how you can make fully finished paintings of fleeting subjects (flowers which wilt, food which rots, etc.) then this is the class for you!
In this workshop we will focus on creating a fully resolved still life painting in a direct manner which will allow for improvisation in terms of our composition and also allow us to make fully finished paintings of subjects which may not give us a lot of time to work with them.

We will skip the initial drawing and underpainting which many of us are used to doing, in favor of diving right in and finishing each element as we go. During the course of the week we will discuss how to paint light and form, color mixing, paint handling and many other aspects of painting as well as discussing how to build a composition “on the fly” as we go.

Students will be able to pick their own subject matter for their paintings, and can choose to paint objects which will remain stable for the entire week, or can choose subjects which will change more quickly.

This course is open to all levels and there will be instruction geared towards beginners and advanced students alike.

Located on an ancient, ever-changing piece of land that inspires awe and artistry, The Farm Margaret River offers immersion in the sublime. It is both a working rural property and a home to artist studios — a place to make, explore, examine and restore.

The Farm sits amid the ancient and diverse flora of Western Australia’s South West region, an ecologically significant place of sacred caves, rugged coastline and monumental karri forests. This is the ancestral Country of the Wardandi people, a cultural group of the Noongar nation who have lived on and from this land, the rivers that run through it and the ocean it meets in harmony for tens of thousands of years.

Here, we seek to engage with and learn from our natural environment through experimental practices, creative inquiry and visual languages. We host artistic collaborations, exhibitions and funded residency programs that invite local and global artists to produce and share new works responding to this unique landscape.

The Farm comprises several studios and a workshop, providing access to both agricultural farming land and natural bushlands. Our farm enjoys rich, mineral-dense soils and is home to diverse flora and fauna. An artesian spring feeds a dam and tributary that flows to the ocean. Waves can be heard crashing along the isolated beaches nearby, and witnessed from walking tracks that wind along coastal cliffs.

Our residency program is an opportunity to experience this place and contribute to our ongoing collective learning. As nature informs our artists, our artists inform us. Together we pursue a deeper understanding of our environment and our role within it.

Find out more about our funded artist residency, creative partnerships and program on their website.

A newly envisioned design program, The Colony Residency works to introduce the international design market to emerging American talent. Through an 8 month incubator program resulting in an exclusive collection, The Residency ushers forth a new generation of designers, artists and makers into the contemporary design vernacular of today. Working from a rich foundation of curation, exhibit design, design education and collaborative design development, Colony works with a tightly curated selection of young designers guiding them through a vigorous curriculum of product development and design entrepreneurship. Each curriculum culminates in an exclusive collection, exhibit and a moment of true discovery for the greater design community.

Artspace111 and the Love Texas Art Foundation are pleased to announce an open call for submissions from Texas artists for the 11th Annual Texas Juried Exhibition, juried by Maggie Adler, Curator Paintings, Sculpture, and Works on Paper,  Amon Carter Museum of American Art. The total 2024 prize amount is $15,000, with a $10,000 first prize. The exhibition will be open July 27 – August 24, 2024 at Artspace111, with an opening reception on July 27th. Contemporary 2D and 3D works that follow the requirements detailed in the prospectus are eligible for acceptance, artwork selected by the juror from the eligible submissions will be included in the exhibition at Artspace111 and are eligible for awards. As mentioned above, over $15,000 will be awarded to the best works in show, and the $10,000 first prize will include the opportunity to exhibit at Artspace111 in a separate solo or group exhibition in 2025.

Visit www.Artspace111.com for more information and to read full prospectus.

The Artist in Residence (AIR) program awards fully sponsored residencies to approximately 50 local, national, and international artists each year.

Dreams, humor, fantasy, creativity are pursuits that keep the human spirit alive. Imagination makes possible our thinking about what is and what might be. We are looking for art that ignites curiosity and delights the senses, encouraging us to take some time away from the world as we know it and enjoy the creative power of Imagination! Submit your art that offers a unique glimpse into your imagination and allows viewers to see today’s world through your eyes, inspiring meaningful dialogue, spur thinking or simply allow us to dream! 2D Painting, Drawing or Illustration in any style created in acrylic, watercolor, oil, pencil, gouache, pastel, ink, charcoal, or mixed media. No photography, no digital art. About our juror DAVID H. REUSS: “Strength is what appeals mostly to me in art. The work can be any medium, style, subject or size, however in the end the work must have power.” David Reuss is a proud New York City native with over thirty years’ experience in illustration and fine art. His work encompasses an array of subjects, mediums and clients. He is an award-winning member of the Salmagundi Club where he also teaches painting and drawing. An Executive member of the Society of Illustrators, he currently serves as Membership Chair and Treasurer. He holds a Bachelor of Fine Arts from the School of Visual Arts and earned his Master’s Degree in Arts and Cultural Management at Pratt Institute. More Info about David Reuss: https://www.blackwolfstudio.com/

PAPERWORKS 2024 is an international juried competition. This will be a virtual show with a virtual awards reception on Zoom.

The juror is Julián Sánchez González, an art historian and a PhD Candidate in Art History at Columbia University in NYC, and a Research Fellow at the Museum of Modern Art's Cisneros Institute.

The competition is for Artists who use paper as their primary medium, works made on paper, of paper or about paper: cut paper, folded paper, woven paper, glued paper, drawings, paintings, pastels, printmaking, photographs, paper sculpture, 3D, bound books, collage, or as the subject of a video and installation.

All entries to the Paperworks 2024 competition must be the original work of the artist. Artist will be allowed to submit up to 6 images and/or 2 videos.

Deadline for Submission is June 5, 2024.

Entry Fee is $35.00 for up to 6 images and/or 2 videos. Artists will be judged on their body of work.

The b.j. spoke gallery will promote the virtual show and display the finalists work on the gallery website (bjspokegallery.org) and social media platforms. The virtual show dates will be July 1 through August 31, 2024. A Reception and awards presentation will be held on Thursday, July 11th at 7pm (EST), via Zoom for artists, their guests and the public, at which time the award winners will be announced. Cash prize for First Place is $300, $200 for Second Place and $100 for Third Place.

The PAPERWORKS 2024 call can be found on the CaFÉ home page by selecting: VIEW ALL CALLS, and then searching for PAPERWORKS 2024. Or, you can go directly to the call with this link: https://artist.callforentry.org/festivals_unique_info.php?ID=13254

A to Z Wineworks, located at their REX HILL property in Oregon’s Willamette Valley, seeks an Artist in Residence for a term beginning in Fall 2024 with a harvest experience and ending in Fall 2025 as the 2024 vintage is bottled.

The A to Z Artist in Residence program is an immersion in the seasonal life of a winery, observing and participating in the art of winemaking. The artist follows the natural cycle of a vintage, first working a harvest, then remaining involved in the life of the winery while working on their own individual art as the wine moves from grapes to glass. The Artist in Residence initially works the 2024 vintage harvest as a paid intern alongside our seasonal harvest crew and year-round winemaking and production staff. Following the conclusion of harvest, the Artist in Residence receives support from A to Z and access to staff and properties for a period of artistic reflection and creation followed by a second partial harvest experience. The residency concludes with a public showcase of some of the artist’s work through a gallery showing, lecture, reading or performance.

About the Harvest Internship
At A to Z Wineworks, harvest is intense and filled with opportunity as fruit arrives from around the state - primarily Pinot Noir, Pinot Gris, and Chardonnay, plus a cross-section of other varieties. This diversity of fruit comes from our LIVE-certified and Biodynamically farmed estate vineyards as well as from conventionally farmed locations across many different Oregon AVAs (American Viticultural Areas). The vineyard sizes range from several hundred acres to very small sites.

This paid internship position typically runs from mid-August through early November, depending on the season. We value interns who share in our company culture of working hard, working smart, and learning together. Our interns work with a team that has earned the most years of collective winemaking experience in Oregon, as well as experience that stretches from Burgundy to New Zealand. Our winemakers approach winemaking from different perspectives and they are willing to share what they know.

The internship presents a unique opportunity to learn more about winemaking on different production scales and with different stylistic goals. It provides a diverse work experience, including but not limited to, grape receival, sorting, pressing, punch downs, tank dig-outs, racking, transfers, barrel work, inoculations, wine movements, juice, must and wine additions, driving a forklift and, always, cleaning.

Harvest interns work a demanding schedule, which will almost certainly include long hours, overtime, and weekend work. The role requires the ability to stand and move for at least ten hours; to lift, bend, rotate, move, and carry up to 45 pounds over the course of the shift and on a repetitive basis, and to climb stairs, ladders and work on catwalks. We expect people to work well within a team environment and work with individuals in a respectful manner that is consistent with the company’s values.

About the Residency
Following the conclusion of the harvest, the art residency commences extending through fall 2025.
Location: The Artist in Residence will primarily work at the REX HILL property in the Willamette Valley. The artist will have access to the winery, vineyards and staff throughout the course of the residency.

Disciplines, work equipment and assistance: We are open to proposals from artists, writers and poets across all mediums and disciplines. To learn more about our current and past residents, visit our website at https://atozwineworks.com/our-company/artist-in-residence/
Support: The residency includes a monthly stipend of $800 for the duration of the residency, beginning after completion of the paid harvest internship. Depending on the medium and artist’s proposed focus, limited additional consideration may be provided in support of furnishing project materials. Housing in the winery’s onsite gatehouse can be considered for inclusion in the residency; during harvests, this housing will be shared with other interns.

Expectations of the Artist: A to Z Wineworks supports people, places, and culture. It seems especially important now to support the liberal arts that help to find ways of expanding limited vision and engaging with diverse, thoughtful perspectives that might help us grow as human beings. The artist will be expected to engage with the staff and contribute to the culture of the winery through interactions and presentations, including providing materials to feature in regular internal communications. The artist will engage with the community at the end of the residency through a public showcase of some of the year’s work in a gallery showing, lecture, reading or performance.
Application Information: Interested artists should submit the materials listed below by June 5, 2024:

• A cover letter, describing the artist’s interest in this residency
• A brief resume highlighting work history and relevant qualifications
• An artist’s biography
• A portfolio of relevant work

Interested artists may submit their application materials at: https://atozwineworks.com/artist-in-residence-2023-submissions/ and view our short film featuring the residency and past artists at https://www.youtube.com/watch?v=gFjqByGC4VI

About A to Z Wineworks
A to Z Oregon Pinot Noir has twice been named to Wine Spectator’s Top 100 wines of the year; A to Z Oregon Pinot Gris is a perennial Best Buy; and A to Z Oregon Chardonnay is America’s Best Selling Oregon Chardonnay. Rose, Rose Bubbles, Riesling, a select Pinot Noir, The Essence of Oregon, and Engraved, a red blend, round out the portfolio. In 2014, A to Z Wineworks became a certified B Corporation, earning recognition as a ‘Best for the World,’ B Corp every year since. A to Z joined the portfolio of Ste. Michelle Wine Estates in 2022, having set the standard for cool climate, food-enhancing Oregon Pinot Noir, Pinot Gris, and Chardonnay.

In 2015, the TCCID established the Town Center Community Alliance (Alliance), as a non-profit
creative placemaking partner, with the objective of enriching the CIDs integral infrastructure
projects with beautification and quality of life programs.
The Alliance takes a strategic look at creative placemaking elements that will help the CID
reach their Vision of being a dynamic region that fosters a thriving business, academic, and
residential community. While the CID primarily builds roads, multi-use trails, and sidewalks,
the Alliance finds ways to celebrate the unique character of Town Center. From public art and
aesthetic fixtures to small parks, the Alliance drives placemaking initiatives that strengthen our
connection to our environment and maximize shared public value.
By activating the physical and social environment in Town Center, the Alliance helps attract
businesses and residents, boost economic development, and shape a sense of community.
TCCID has invested over $3M in the Noonday Creek Trail. Final phases of the trail opened in
September 2014, and spans close to seven miles in length, beginning at the Kennesaw
Mountain Battlefield Park to the Bells Ferry Trailhead. Since 2019, trail counters have logged
over 1.1million visitors along the trail. TCCID recognizes that, although successful, the trail’s
potential hasn’t been fully realized. Strategies to activate the trail need to be implemented to
attract and retain users of all ages, demographics, and physical abilities. As the Town Center
CID strives to create a healthy environment for the surrounding commercial property owners
and its stakeholders, activation of the trail will increase safety, improve aesthetics, and
introduce new opportunities within the CID.
The purpose of this RFP is to gather creative, inspirational concepts for activation on Noonday
Creek Trail. Please familiarize yourself with the full Activation Plan completed in 2018 and the
Creative Placemaking Master Plan completed in 2023.

Please see Event link for further information about this opportunity.
Only email submissions accepted and should be sent to: [email protected]

Art Fluent invites artists worldwide to submit artwork to our online exhibit, BEYOND THE SCARS.

THEME
As artists, we know that our creations can be born from the unexpected, where accidents and errors are transformed into elements of beauty. It's the unexpected aesthetic that emerges when we embrace the imperfections of the creative process. Join us in celebrating the imperfect in art, where every flaw has a story to tell, each imperfection adds character, and every mistake is a tribute to the unpredictable beauty of the creative journey. Show us BEYOND THE SCARS from your perspective.

CALENDAR
JPEGs due by Friday, June 7, 2024 at midnight MST.
Notification of acceptance and online gallery opening by Friday, July 5, 2024.

AWARDS
All accepted pieces will be displayed in our online gallery at www.art-fluent.com
Best of Show: $750
Two Director’s Choice awards: $250 each

ENTRY FEE
$25 for first entry/$10 for each additional entry. You may enter up to 20 total. Payment is non-refundable and does not guarantee acceptance. For 3D work, there is no need to pay for additional entries for detail shots. Once your first entry is made, you may send additional views by email to [email protected].

ELIGIBILITY
This call is open to artists worldwide, both amateur and professional. Work that has been selected for previous exhibits with Art Fluent will not be considered.

RULES
Work that is copied or done under the guidance of an instructor is not eligible. Open to ALL fine art mediums (oil, acrylic, watermedia, pastel, drawing, printmaking, mixed media, photography, sculpture, fiber, wood, ceramics, film/video, digital art). AI will not be accepted. Diptychs and triptychs should be uploaded as a single image.

SELECTION PROCESS
Director’s choice. Each show is curated and juried by Creative Director, Amy Matteson Neill along with an anonymous committee of jurors. Please note, there is no personal feedback given by jurors.

ENTRY PROCEDURE
Entry is done through CaFÉ, a web-based service that allows artists to upload images and organize their artwork for submissions to galleries. To apply for a call, you must leave our website and go to the CaFÉ website at www.callforentry.org where you can create a FREE artist account. You will add your details and upload your images to CaFÉ and then you can submit work to BEYOND THE SCARS. If you have any questions, please contact us at [email protected] we are happy to walk you through the process.

MEDIA PREPARATION
Please only submit properly cropped images of your work that are in focus. We have a free resource for artists for tips on how to get high quality images of your work. Visit www.art-fluent.com/resources for a free download. CaFÉ also offers tips on their blog which you can find here www.callforentry.org/photographing-artwork/.
All images must be in JPEG/JPG format using CaFÉ guidelines. The image size must be 1,200 pixels or greater on the longest side. Maximum file size is 5 mb.
Accepted video formats include MOV, MP4, WMV. Aspect ratio 4:3 or 16:9, resolution minimum 640x480, maximum 1920 x1080, bit rate recommended above 240 kbps, recommended frame rate 30 fps. File size must be under 100 MB. If your video work has been selected for the exhibit, we kindly request that you provide us with the file link via Vimeo. Please ensure the linked video is set to be shared publicly. Your video will not play if it is set to private.

NOTIFICATION
Notification will be done by email, everyone who submits will be notified of the juror’s selections. If for any reason you do not hear from us by the notification date, please check the filters in your email account. Notification emails are sent to the email on file with CaFÉ.

SALES
All sales inquiries will be directed to the artist’s website and/or contact information. For any artwork that is sold, the artists receive 100% of the sale.

GIVING BACK
A portion of the proceeds from the entry fees is donated to organizations committed to the arts and supporting artists.

REQUIRED FORMS
Cash awards over $600 are subject to federal income tax withholding within the United States. A W-9 form must be filled out by the winner and submitted to Art Fluent, Inc.

REGULATIONS
By entering our calls for art through CaFÉ you are agreeing to be added to Art Fluent's email list for forthcoming artist opportunities. By submitting images, you agree that the images are your own work, nothing copied, you own all rights to the images, and you take full responsibility for the content of all images, including the likeness of recognizable individuals. The actual artwork will remain the property of the artist, our mission is to promote artists and their work. Should your work be accepted, you grant Art Fluent the right to reproduce your image on our website, on social media, and where appropriate to help promote further online opportunities. Art Fluent will always credit you and your copyright wherever feasible. We will not use your image for any other purpose without the artist’s permission.

This workshop is for the painter looking to enhance their skills while depicting coastal scenery, be it the marshes of Southeastern Connecticut, or the crashing surf of Down East Maine. An inspirational and encouraging environment will be fostered through critique and advice. Individual attention and demonstration will be emphasized, as well as the importance of subject choice and personal inspiration. Although oil colors will be the demonstration focus, all media are welcome for working and practice. The prevailing goal will be to approach painting as a fulfilling and enjoyable experience…a learning process that allows us to grow as artists and creators with any subject matter we choose.

Artist Professional Development Grants promote the growth and development of visual art in Kentucky by helping improve the critical skills, resources, knowledge, and connections of fine artists. APDG Grants support and forward artists’ careers by encouraging them to engage with the broader contemporary art world and raising the bar for art being produced in the region. Developing fine artists’ awareness of and participation in the national and international contemporary art world, this program aims to strengthen the level of critical discourse among artists in the state.

Share Festival, the Italian exhibition of contemporary art linked to technological evolution and science announces the theme of the sixteenth consecutive year of the Share award. The works nominated for the award must follow the theme described here:

SHARE PRIZE XVI
‘ALL-NATURAL’

For the XVIII edition of Share Festival, we make this demand because we know it's impossible.

Here in glamorous Torino -- a city known for its cordial support of "every form of art" -- we can't take one natural, untainted breath. Not only is the planet's whole atmosphere polluted with Greenhouse gases -- here in Torino, thanks to our industrial heritage and our specific geographic climate, we're particularly badly off from an all-pervasive haze of PM2.5 micrometer pollution particles, including metals, combustion products and even agricultural dust. As you read this, we breathe that.

And yet, at the very same time, our Italian province of Piedmont is world-famous for its devotion to hand-crafted, artisanal "Slow Foods" grown from the unique plant and animal varieties of the fruitful Italian soil.

In our forthcoming Festival, we plan to tackle this contradiction headlong -- through our favorite medium of technology art. Can this become a dialectic instead of a contradiction? Can we witness net.art that is all about birds, bugs, bees and natural local landscapes? Can we interact with robots made of natural woods, sculptures digitally carved from marble, and interactive artworks composed of horn, reeds, seashells, bamboo, straw, bones, fossils, or better yet, severely imperiled natural materials entirely unique to the artist's own region in the world?
It's not enough to "defend the environment" -- how can natural materials infiltrate tomorrow's unnatural substance and take some terrible, weedy revenge? Please do your best for us. We need a breath of fresh air!

Bruce Sterling, Direttore Artistico di Share Festival
Jasmina Tesanovic, Curatrice di Share Prize

Share Festival announces the sixteenth edition of Share Prize contest dedicated to contemporary art declined to technologies and sciences. The competition jury will award a prize of Euro 2,500.00 to the work (published or unpublished) which best represents experimentation between arts and new technologies.
The competition is open to both Italian and foreign artists. Each artist, or artist collective, can enter a
maximum of three works. Artists that are part of collectives may choose to enter the competition
individually, with a maximum of three works

The candidates for the prize (a short list of 6 competitors) will be guests at the XVIII edition of the Share Festival. The six nominations of candidates for the prize will be announced in July 2024.
The announcement will be published on the following website: www.toshareproject.it

The winner will be announced during the Opening of the festival.

Please see this link for further details. https://shareproject.cargo.site/

The Artist in Residence (AIR) program awards fully sponsored residencies to approximately 50 local, national, and international artists each year. Residencies of four to ten weeks include studio space, chef-prepared meals, housing, travel and living expenses. AIRs become part of a dynamic community of artists participating in Headlands’ other programs, allowing for exchange and collaborative relationships to develop within the artist community on campus. Artists selected for this program are at all career stages and work in all media, including drawing, painting, sculpture, photography, film, video, new media, installation, fiction and nonfiction writing, poetry, dance, music, interdisciplinary, social practice, arts professions, and architecture.

The Wyoming Arts Council's Visual Arts Fellowships are $5,000 unrestricted awards of merit, based on the artist’s portfolio, honoring the work of Wyoming visual artists whose work reflects serious and exceptional aesthetic investigation. Artists working in any media, including film and video, may apply. Applications are juried by noted artists, curators, and others in the visual arts from outside the state. Up to three fellowships may be given each year, and jurors may also select honorable mentions. Recipients of the Visual Arts fellowships exhibit their work in the Wyoming Arts Council Biennial Exhibit, held every two years at a major visual arts institution or museum in the state. The winners of this year's fellowship will exhibit in 2025. The exhibition is curated by one of the jurors, who serves on the panel for two years. Applicants must be Wyoming residents. The deadline to apply is June 10, 2024.

JURORS

Ginger Shulick Porcella In January 2023 Ginger Shulick Porcella was named as the Executive Director of Creative Growth Art Center, the premier organization for contemporary artists with developmental disabilities. Porcella most recently was the Executive Director and Chief Curator of Franconia Sculpture Park and the founder/co-curator of the 4Ground: Midwest Land Art Biennial. She has led nonprofit arts organizations in New York, California, Minnesota, and Arizona, and has curated critically acclaimed museum exhibitions such as: Amir H. Fallah: Scatter my Ashes on Foreign Lands; Blessed Be: Mysticism, Spirituality and the Occult in Contemporary Art; and Dazzled: OMD, Memphis Design and Beyond. Her exhibitions have been positively reviewed in Frieze, The New York Times, and Hyperallergic and in 2015 she was named the “Voice of the Year” by the San Diego press for her visionary leadership in transforming the arts and cultural ecosystem of Southern California and Baja, Mexico.

Libby Garon has worked as the Gallery Director at Walker Fine Art (WFA) for the past 7 years and strives to connect beautiful artworks with collectors who love them. WFA is a 22-year-old mid to advance career gallery in the heart of Denver’s museum district showcasing original contemporary art, which features group exhibitions from a diverse roster. As Gallery Director, she works to build strong relationships with collectors and artists that are founded on trust. Her goal is to learn about her clients to guide them towards collecting artwork that reflects their authenticity, either through resonating with the subject matter, aligning with their passions, or telling an aspect of their life story. Everyday WFA works to ensure that their exhibitions align with their mission: to give our artists a space to connect with the greater public presenting work that uplifts, heals, and is emotionally evocative, while also constantly navigating the balance between commerce and creativity.

As an art lover, Libby has been fortunate to have the arts as a constant in her life. She began her art path studying studio art with a focus in printmaking at Mount Holyoke College in MA, and interning at Dieu Donne Paper Mill and Lower East Side Print Shop in New York, assisting artists including Kara Walker, Ann Hamilton and Ursula Von Rydingsvard. As often as she can, Libby continues to make and sell her own work and appreciates having both perspectives of the artist and the arts professional.

Libby is an active arts advocate and strives to share her passion for the arts in everything that she does. She now has been in the Denver arts community for over a decade working, jurying, guest curating and serving as a board member for institutions including Art Students League of Denver, Access Gallery, Golden Triangle Neighborhood Association, PlatteForum, 5280 Trail- Acoma Segment, Curtis Center, Denver Lights and numerous Denver Art Museum committees including Culture Haus, Denver Art Conservation Committee and Museum Friends.

Application Requirements
SUBMISSION GUIDELINES

Applications must be submitted through CaFE (callforentry.org). Mailed or emailed submissions will not be accepted.
Artists working in any visual media are invited to apply, including: experimental (conceptual/new media), graphic (printmaking/book arts), painting, sculpture, installation, photography (includes experimental, color, black & white, photocopy and computer), clay, fiber, glass, leather, metal, paper, plastic, wood, mixed media, film or video.
Artists may submit up to ten work samples, of which up to two may be detail images, if appropriate.
Film/video applicants may submit up to 4 samples, and have the option to submit stills. Jurors will only be required to watch up to 10 minutes of a film/video submission.
Work must have been created within the past 5 years.
Applicants are asked to submit an artist’s statement and to verify that they meet the eligibility requirements.
Please ensure your name does not appear anywhere on the application or work samples, except where specifically requested, to preserve the anonymous nature of the judging.
WHAT IF YOU WIN AN AWARD?

You’ll receive $5,000 up front.
Fellowship recipients agree to participate in the 2025 Wyoming Arts Council Biennial Exhibition, and are included in the catalog produced.
You’ll sign a contract that verifies you’re eligible to receive this award.
You’ll need to supply a bio and a head shot for publicity.
You will retain all rights to this work and the work you produce during the grant period.
You must create an impact statement, due August 31, 2025, sharing with the Wyoming Arts Council how this award helped you and what you accomplished during the year you received it.

The Vilcek Foundation will award three Vilcek Prizes for Creative Promise of $50,000 each to young, immigrant visual artists and three Vilcek Prizes for Creative Promise of $50,000 each to young, immigrant curators who demonstrate outstanding early achievement in their field.

Who Should Apply:
You were born outside the United States to non-American parents
You are not more than 38 years old
You have 5 years of professional experience in visual arts or curatorial work and possess a strong track record of creative and high-caliber work

Art Works Downtown invites curators to submit proposals for exhibition in Gallery 1337. Our mission is to offer compelling visual art experiences to the community, and we value diverse and imaginative viewpoints. We encourage proposals that showcase professionalism, clarity of vision, and innovative concepts. We look forward to receiving your submissions.

Approved proposals receive a two month exhibit and a curator stipend up to $5,000.

The exhibit program at Art Works Downtown fulfills a vital role in connecting the public with the creative essence of humanity, fostering inspiration, contemplation, and meaningful discourse. Situated in the vibrant heart of San Rafael, CA, our gallery proudly presents the finest local art, catering to both discerning collectors and casual enthusiasts. We extend a warm invitation to explore our gallery and engage with the contemporary art scene unfolding within your community. Welcome!

Exhibit Dates: Sep 27–Nov 8, 2024 and 2025. Proposals will be considered as they arrive before the due date.

About the Gallery 1337 program at Art Works Downtown

Gallery 1337 at Art Works Downtown features traditional, modern, and contemporary work by established and emerging artists from the greater San Francisco Bay Area. The exhibit program serves the public by offering a connection to the creative aspect of our humanness for the purpose of inspiration, contemplation, and discourse. Located in the heart of San Rafael, CA, this gallery showcases the best of local art for the serious collector and casual viewer alike. Art Works Downtown invites you to visit to engage with the art happening today, in your community… welcome!

Art Works Downtown, Inc, a 501(c)3 corporation, is Marin's premier non-profit art center. Located on Fourth Street, our 40,000 square-foot building houses 4 galleries, 27 art studios, artist membership program, restaurant, jewelers guild, frame shop, ceramic center, other arts organizations, 17 affordable apartments and more. We feature new exhibits, events, and classes every month as well as outreach programs and 6 public art installations throughout San Rafael.

Application Requirements

Conceptual Guidelines

Proposals will be evaluated based on qualities such as the strength of concept, quality of proposed artworks, and feasibility of exhibit plan.
Attention will be given to proposals supporting or exploring themes of inclusivity, diversity, equity, or accessibility.
Concepts should be accessible to a wide spectrum of audience from art-educated guests to people who are new to art.
Artwork content with explicit sexual content or graphic violence is prohibited. AWD prefers not to censor artwork, but we must also maintain a safe space in our very public gallery.
The theme must be different than our previous exhibits, see Gallery 1337 archive on our website.

Artist Requirements

Group exhibits of three or more artists are preferred. Curators working with a solo artist are also welcome to apply.
Potential artists must be contacted by curators prior to submission of proposal to confirm interest.
Exhibitors must be living artists who reside within 100 miles of San Rafael California during the exhibit dates.

Artwork Requirements

All visual-art mediums are welcome.
Exhibits must showcase about 16–36 artworks, depending on scale.
Artwork must be ready to install. Installation-art must include clear instructions, or the artist must be available to install complex installations within the schedule.
At least 50% of the exhibiting artworks must be for sale. AWD asks for a 40% donation upon sale. Sales tax is paid by AWD.
Artwork must arrive in a professionally presentable state. We do not accept damaged frames, scratched glass, wet paint, floating paper, etc.
Video art is welcome, but must qualify as follows.
Display equipment required must be provided with the artwork.
Projections are usually prohibited because the space contains too much light.
Audible works must use headphones and not broadcast sound.
Editions
Originals of limited editions are permitted. They must be signed and numbered. For example: photographic prints, printmaking, bronze castings.
Un-editioned reproductions such as giclée’s, or print-to-order, are prohibited.

Curator Requirements

All curators are welcome; including professional, independent, emerging, and team curators. Experience is preferred.
Curator may use the stipend according to your own discretion. Payable by 50% before exhibit and 50% after the exhibit ends, or 100% after the exhibit ends. Please recognize that an approved budget will be the entire budget for the curator and artists. There are no additional funds for anyone or anything beyond our standard exhibition practices.
The curator agrees to
dates and deadlines as established with the AWD staff.
be available for meetings with staff; two receptions; and an Art Talk.
Curator agrees to lead an Art Talk about the exhibit, which may be in person or via Zoom. Curator will be required to present an artist talk with curatorial stipend covering their cost for participation.
submit a W9 form in order to receive the stipend. AWD cannot offer visa sponsorship.
agree to any interviews by the press about the exhibit.
Exhibitions must be installable in under four days.
Curator is welcome to offer suggestions for the gallery design/artwork placement. AWD usually relies on our Gallery Designer and Installer to design and install as they are an expert and have an intimate understanding of our gallery space. Any ideas or concerns from the curator will be considered and explored with meetings and communication in a collaborative spirit.
We strongly encourage you to visit and view the Gallery 1337 exhibit space at Art Works Downtown before applying for this opportunity.

This final exhibit of the STCEA season celebrates our 3rd anniversary of helping emerging artists build creative confidence through showing their work. The theme is open and all styles and mediums are welcome, so show us your favorite pieces as you participate in art that does good! 20% of exhibit proceeds benefit Give 716, a partnership between Buffalo Bills and Buffalo Sabres fans to support Western NY non-profits. A Best in Show (cash prize) and Awards of Distinction will be awarded to the works of highest artistic merit based on technical skill, creativity, innovation, and adherence to theme. An Artists' Choice and People's Choice award will also be selected based on popular vote. So why not submit your work today and see where it can take you?

About Southern Tier Center for Emerging Artists (STCEA)
STCEA provides a safe space for you to build creative confidence. Our affordable exhibition entry fees allow you to submit and have your work evaluated through a competitive juried show process that is welcoming to art students, new and emerging artists, and seasoned artists alike.

Having your work displayed in an international juried show is a great way to boost your artistic presence, increase sales, and build your exhibition portfolio for future show opportunities, gallery representation, or entrance to MFA programs - or just for fun and personal growth!

Our online exhibits are good for the environment and your pocketbook - you save shipping fees and artwork preparation costs as your work is professionally displayed in an online gallery with shareable links for your website and social media feeds.

Rochester Contemporary Art Center (RoCo) and ImageOut Art seek artist submissions for a juried exhibition opening in Rochester, NY in October 2024. Queer art has achieved greater prominence in recent years, yet the LGBTQIA+ community's struggle for freedom and equality persists. We hope this exhibition will serve as a reflection of our current moment, and as a poignant response to the alarming rise of anti-LGBTQIA+ legislation sweeping the nation.

Artist submissions are due on June 15, 2024 by 5pm. We welcome 2D, 3D, and electronic media that showcases experiences, emotions, and thoughts on the evolving struggle for LGBTQIA+ rights and representation. Artists located in the United States of all backgrounds, identities, and those exploring all narratives of genderqueerness are invited to apply.

Accepted artists will receive a stipend to help offset the cost of production or transport of their work. This exhibition will be juried by a diverse panel of arts professionals who identify as LGBTQIA+. The exhibition is a project of the ImageOut Art Committee in partnership with Rochester Contemporary Art Center.

Nostalgia: Online Exhibition

The deadline for ‘Nostalgia’ is June 15th, 2024 and the entry fee is $6 for 3 artworks. Accepted participants will be notified two weeks after the deadline. The exhibition will go live on July 1st, 2024. Find updates on our Instagram and by subscribing to our newsletter!

Awards

1st, 2nd & 3rd Place

The 1st Place winner will have their artwork featured on our home page for the duration of the exhibition, receive an ‘artist interview’ in addition to being promoted on our Instagram.

2nd & 3rd Place will be guaranteed a solo post on our Instagram.

Juror: Artist & Founder: Katarina Bishop

Prompt

"Nostalgia" seeks submissions that evoke feelings of longing, sentimentality, and reflection. Through your artwork, take viewers on a journey to rediscover the beauty and emotion of moments gone by with inspiration from personal or universal experiences. This open call is an opportunity to share your unique artistic perspective on this timeless theme, capturing the essence of nostalgia in its many forms. Join us in celebrating the power of art to evoke strong feelings and provoke introspection with the collective nostalgia of humanity.

Open to artists 18+ working in all mediums, including but not limited to painting, sculpture, photography, digital art, mixed media and video. Applicants are not restricted on the number of entries but each entry is limited to 3 artworks.

Image Exporting Instructions

Jpeg Files
1500 px long side
300 DPI
LastName_FirstName_Title

Questions?

Please email [email protected]

The Gifts of Art Program is seeking submissions for solo and group art exhibits for the September 2024 to August 2025 exhibition year. One of the first and most comprehensive arts in healthcare programs in the nation, Gifts of Art brings the world of art and music to Michigan Medicine at the University of Michigan. Our nine 2-D and 3-D galleries throughout the medical center are viewed by thousands of people each day and display over 30 exhibits per year. To learn more and submit your application online here: http://bit.ly/2Ut1ynk.

Gifts of Art’s rotating gallery program is intended to support the healing process by calming nerves, lifting spirits, engaging minds and thereby reducing the stress and anxiety often associated with healthcare settings. With large patient, staff and visitor populations that are diverse in every way imaginable, we strive to be inclusive and honor this diversity by mounting exhibits that reflect today's world. People of all races, ethnicities, ages, genders, sexual orientations, religions, beliefs, abilities, socioeconomic statuses and levels of education are welcome to apply. For more information about our mission and other Gifts of Art programming, please visit www.med.umich.edu/goa.

Shadow and Light is an immersive exploration of the interplay between darkness and illumination, capturing moments of contrast, depth, and intrigue. From stark silhouettes to subtle gradations that reveal hidden textures, invite us on a journey through the captivating realms of chiaroscuro.

Shadow and Light is an international open call for photographers ages 18 and older. ​​​​​​​All forms of two-dimensional images, traditional and non-conventional media, and conventional or alternative processes with a subjective analog or digital photographic base are welcome for submission.

Approximately 35 images will be selected by the Curator, Director, and Guest Juror(s) for exhibition in The Chateau's Online Gallery (TCG). Participants will be notified of their selection approximately 10 days after the deadline. Selected participants will also be listed on our website’s home and exhibition page. Accepted work will be hosted on TCG’s website and promoted on social media throughout the scheduled programming. Submissions not selected for the exhibition are categorized into themes and stored for one year for consideration in future exhibitions.

Sales
Participants who have priced their work for sale will be contacted promptly regarding any purchase inquiry of their work. Participants will retain 70% from sales. TCG will retain 30% commission on any work sold through TCG and its agents. Artists will be responsible for fulfillment of sales and any additional costs. Participants may list their work Not for Sale (NFS). However, participants are encouraged to price their work.

Awards
Curator’s Choice, Director’s Choice, and three Honorable Mentions will be awarded and featured in the online gallery. Curators Choice and Directors Choice are invited to submit three free entries into three calls for entry of their choice. Honorable Mention recipients are will receive one free entry into one call for entry of their choice.

Copyright and Usage
The artist retains all rights to their work at all times. By submitting your work, you grant the gallery a limited license to use your images for promotional materials and/or promoting related programs and display on our website, social media and online exhibition archive. All selected work will be maintained in our online gallery archive. The artist's name and photo title will be included and they will receive attribution whenever possible.

Small Works is a national juried show of artwork no more than 24” in its largest dimension (including frame). All media are eligible except jewelry, film/video. All entries are judged from digital files.
Purchase awards may be available for accepted work. Accepted artists may be selected for a solo show at Harper College. A color catalog will be published in conjunction with the exhibition.

Juror: Laura Bickford, Curator, John Michael Kohler Arts Center, Sheboygan, WI

Entry deadline: Monday, June 17, 2024

Exhibition: September 3 – October 10, 2024

For further information and Online Entry: https://www.harpercollege.edu/smallworks

Questions: [email protected]

The theme, OPEN, invites artists of all mediums and subjects to submit their best work to be featured in our gallery and publication. Both realism and abstract art will be considered. Our gallery features contemporary art and the concept is considered in judging.

Overt Space Gallery + Gift is a vibrant and creative space for artists and makers, split between gallery and gift shop. Perfect for emerging and mid-career artists seeking places to share their work in a gallery setting with lots of foot traffic as well as a high conversion rate with online sales.

Winners(1st-3rd) will split cash prizes ranging from $500-1,000 - depending how many submissions we receive. Honorable mentions for 4th and 5th place. All accepted entries will be featured in a printed publication by the gallery and blog. Awarded artists will receive more space for interviews. All entries will have their name listed in our printed publication.

All artists residing in the USA are eligible to participate. This group show is located at Overt Space Gallery in Stoughton, WI. Artwork will need to be shipped to the gallery before the exhibition. Artwork will also be available on our website. Artists do not need to be present for the show.

Artists are responsible for insuring their artwork while in transit to and from the gallery and for the duration of the exhibition. All accepted artwork will be handled with professional care; however, Overt Space Gallery will not be responsible for any loss or damage to artwork while in transit to and from the gallery and while on the premises.

Damaged boxes and crates will remain unopened pending notification to the artist.

Work unclaimed by the sender at the return address on the crate is not the responsibility of Overt Space Gallery.

Artwork not picked up by the artist by June 9th, unless special arrangements have been made with Overt Space Gallery, is not the responsibility of Overt Space Gallery.

FERRARA SHOWMAN GALLERY proudly hosts the 28th iteration of our annual call for artists - NO DEAD ARTISTS: International Juried Exhibition of Contemporary Art. The call is open through 17 JUNE 2024 and the exhibition participants are selected by an ever-changing group of three prestigious arts professionals. The exhibition itself is installed in the gallery for the entire month of September and first-half of October with an opening reception in conjunction with the Arts District New Orleans’ First Saturday Gallery Openings in September 2024 from 5-9 pm.

The exhibition was created in 1995 to give a voice to emerging artists. NO DEAD ARTISTS has become an exhibition that has time and again discovered new and emerging talent and is one of the most celebrated art exhibitions in the South. The exhibition’s name is derived from the old adage that artists never achieve success until they are dead. NO DEAD ARTISTS turns that notion on its head and gives emerging artists their first break in the art world. In the ’90s, the exhibition was open only to New Orleans artists and subsequently grew to include artists of Louisiana. In 2010, the exhibition expanded to become a national juried exhibition open to artists from the entire United States and the call went international in 2014.

The exhibition has been a springboard for numerous artists leading to national press coverage, recognition, gallery representation and acquisitions by museums and other prominent collections. Each year the gallery invites a panel of renowned arts professionals and collectors to select the newest creative talents.

NO DEAD ARTISTS is an INTERNATIONAL OPEN CALL FOR ARTISTS, open to living artists of all ages, emerging and established, working throughout the world. All mediums are accepted including, but not limited to, painting, sculpture, design, glass, metalwork, photography, video, performance, mixed media and installation art.

A single application may contain up to FIVE artworks for consideration. Each submission is allowed up to three additional detail images per artwork. All images must be in .jpg format and videos in .mov format - high resolution files around 1MB are preferred. All works must be for sale to be included in the exhibition.

Any winning entry will be subject to a standard 50% gallery sales commission in the event that it is sold and should be priced accordingly.

The artist is responsible for ALL shipping costs including return shipping of all unsold work and import/export duties and taxes.

Oil Painters of America’s 2024 Eastern Regional Exhibition of Traditional Representational Oils, October 11 through November 8, 2024, at The Centerpiece Gallery, Raleigh, NC. Awards approximately $11,500 in cash & merchandise, including a $4,000 cash best-in-show award. The juror will be Elizabeth Pollie OPA. Artists eligible to compete are citizens - both natural born or otherwise - of the continent of North America who are 2024 OPA members. Submissions are accepted through 6/19/2024. The entry fee is $35 for one, $50 for two & $60 for three; only one may be accepted. Maximum size limitation 1,200 sq in. The acceptance list will be announced on 7/9/2024.

🌸 SPRING 2024 OPEN FOR SUBMISSIONS — Innovate Grant is thrilled to introduce our newly increased award amounts of $1,800.00.

Innovate Grant awards (2) $1,800.00 grants each quarter, to one Visual Artist and one Photographer. In addition, (12) honorable mentions (6 in art and 6 in photo), will be featured on our website and join a growing community of vibrant and talented artists. Innovate Grant's commitment extends beyond the grant cycle by promoting the work of selected winners and honorable mentions into the future. For more information and to apply visit https://innovateartistgrants.org

Innovate Grant supports artists and photographers through quarterly grants. We've simplified the grant process, so that artists and photographers can focus on making their innovative work. The work should speak for itself and our application reflects that.

Innovate Grant awards:
+ 1 x $1,800.00 Grant to a Visual Artist
+ 1 x $1,800.00 Grant to a Photographer
+ 12 x Honorable Mentions

Explore the work of ALL Past Innovate Grant recipients and read their interviews at https://innovateartistgrants.org

How to Apply: Visual Artists and Photographers 18 years and older, from all around the world, are eligible to apply. All media and genres are accepted. All applicants retain the right to the work they submit. Apply today at https://innovateartistgrants.org

Category: Multiple disciplines and genres accepted
Deadline: Thursday, June 20, 2024 – Submit by 11:59PM Pacific Standard Time
Region: US & International
Awards: 2 x $1,800.00 USD Grants // 12 x Honorable Mentions

Apply Online Today
https://innovateartistgrants.org

Innovate Grant distributes (2) $1,800.00 grants each quarter, to one Visual Artist and one Photographer.

Our newly increased $1,800.00 grants act as mighty sparks of financial support that ignite your creative development.

Our grant cycles are open (4) times a year (Winter, Spring, Summer and Fall) giving you more opportunities to access the support you need.

Our process is simple so you spend less time on the application and more time making your important work.

We propose in this issue to reveal the theme of color. What role does color play in your life? What do you focus on when you use color in your works – is it about mood or feelings? Do you prefer to use color in your work in a limited way and make an accent or do you boldly add all existing shades?

We’re intrigued to see the perspectives of creators from different corners of the world and learn about your concepts!

Selection Criteria:
– International artists
– All-media are accepted (drawing, painting, collage, textile art, photography, art objects, sculpture, animation, etc.)
– The artist must be presented online (social pages, website, gallery profile)

We do not consider the work of artists from Russia and Belarus.

All applications need to be in English.

An Online Masterclass Special focused on equipping artists with the skills and knowledge to create and sell limited edition prints.

Curious to learn how successful artists sell art prints prolifically? How do you identify your audience? And how can you gain new buyers? Our upcoming masterclass covers the in’s and out’s of limited edition prints. We will be joined by industry experts Stuart Waplington, the founder and CEO of theprintspace, and landscape artist and mentor Amy Jobes. The micro-learning masterclass is held on Zoom and open to artists of all levels. This session with help you navigate the basics and provide you with expert tips to stand out from the crowd.

This session will cover:

Limited edition prints basics
Steps to selling your prints
Do’s & Don’ts of creating promotional campaigns
Insight into how professional artists sell limited-edition prints
How to collaborate with print production experts.
Actionable points for you to get started with selling prints
This event will also provide you with the chance to ask experts your burning questions about selling prints. All attendees will receive a guide, worksheet, and glossary of terms.

Who Should Attend

This Masterclass is perfect for:

- Artists looking to enhance their marketing skills.

- Printmakers interested in expanding their promotional strategies.

- Creative individuals wanting to learn from industry experts.

- Anyone passionate about the art of printmaking and campaign creation.

This Masterclass will be joined by gallery experts, including:

Stuart Waplington, Founder and CEO of theprintspace

theprintspace is the UK’s leading Fine Art and Photographic printers. Since its opening in 2007, theprintspace has enjoyed acclaim from both industry professionals and clients alike, assisting artists to achieve commercial success. With over 11,000 trust pilot reviews, they have earned their reputation for quality and excellence.

Helga Stenzel

Helga Stentzel is a multidisciplinary artist based in London, UK. She works across a wide range of media including photography, illustration, videography, sculpture and mural design. Helga received "Food Art Creator of the Year" award in 2020 and has collaborated with Hermes, Amazon, BBC, Honda and O2, among others. She participated in multiple group exhibitions in New York and London, and held a solo show in Seoul in 2022.

Amy Jobes, Landscape Artist

Amy Jobes is a contemporary landscape painter based in North Devon. Amy has previously had her work featured on the BBC, as well as trade media including Artists & Illustrators Magazine. She has

been a self-employed artist for ten years- taking the leap in 2012. Amy has joined the Visual Artist Association as an Artist Mentor alongside Karen van Hoey Smith

Register to Secure Your Place:

Join us for an engaging Masterclass special focused on enhancing your skills in creating compelling campaigns for limited edition prints, organized by the VAA.

Free for Premium Members

10% Discount for Standard Members

£19.99 for non-members

A recording of the event will be available. Limited spots are available, reserve yours now.

Grants for Artist Projects (GAP) are unrestricted project-based grants of $1,500 awarded to 65 artists working in all disciplines across Washington State.

Funding may be used for but not limited to artist fees, materials, equipment, space rental, travel for research, documentation, professional development opportunities, marketing and promotion, support to continue a current project, support to start a new project, and many other needs related to your project.

Art Fluent’s grant cycle is now open to individual artists through an international open call. The Evolution Grant will provide unrestricted funding to an individual artist with recognized artistic excellence in fine art media and a demonstrated commitment to their art.

CALENDAR
Applications due by Friday, June 21, 2024 at midnight MST.

AWARD
$1,000 to one visual artist each grant cycle.
Unrestricted funds applied toward any expense to enhance the artist’s ability to create work.

APPLICATION FEE
$35. The application fee is non-refundable. It helps defray the costs of administering this grant so we can continue to support and fund artist’s creative projects.

ELIGIBILITY
This call is open to artists worldwide, both amateur and professional. Once an artist is awarded an Evolution Grant, they will not be eligible to apply again.

RULES
Open to ALL fine art mediums (oil, acrylic, watermedia, pastel, drawing, printmaking, mixed media, photography, sculpture, fiber, wood, ceramics, digital art). AI will not be accepted. There is no restriction on style, genre, or subject matter. Work that is copied or done under the guidance of an instructor is not eligible.

SELECTION PROCESS
You will be asked to submit a body of work between 8-20 pieces, along with an artist statement and artist bio.

Applications are reviewed based on a body of work. This jury type allows artists to submit as many media samples as allowed, and all media are submitted into one application.

ENTRY PROCEDURE
Entry is done through CaFÉ, a web-based service that allows artists to upload images and organize their artwork for submissions to galleries. To apply, you must leave our website and go to the CaFÉ website at www.callforentry.org, where you can create a FREE artist account. You will add your details and upload your images to CaFÉ, and then you can submit work to The Evolution Grant. If you have any questions about entering, please contact us at [email protected] we are happy to walk you through the process.

MEDIA PREPARATION
Please only submit properly cropped images of your work that are in focus. We have a free resource for artists for tips on how to get high quality images of your work. Visit www.art-fluent.com/resources for a free download. CaFÉ also offers tips on their blog which you can find here www.callforentry.org/photographing-artwork/.

All images must be in JPEG/JPG format using CaFÉ guidelines. The image size must be 1,200 pixels or greater on the longest side. Maximum file size is 5 mb.

NOTIFICATION
Notification will be done by email, everyone who submits will be notified of their results. If, for any reason, you do not hear from us by Friday, July 18, 2024, please check the filters in your email account. Notification emails are sent to the email on file with CaFÉ.

REQUIRED FORMS
Cash awards over $600 are subject to federal income tax withholding within the United States. A W-9 form must be filled out by the winner and submitted to Art Fluent, Inc.

REGULATIONS
By entering through CaFÉ, you agree to be added to Art Fluent's email list for upcoming artist opportunities. By submitting images, you agree that the images are your own work, nothing copied, you own all rights to the images, and take full responsibility for the content of all images, including the likeness of recognizable individuals. The actual artwork will remain the property of the artist, our mission is to promote artists and their work. Upon grant distribution, you allow Art Fluent the right to reproduce your work on our website, social media, and where appropriate, to help promote further online opportunities. Art Fluent will always credit you and your copyright wherever feasible. We will not use your image for any other purpose without the artist's permission.

Phase 3 is now open for applications.

Categories for submissions are:
Painting & Mixed Media & Printmaking
Photography/ Digital Art
Drawing &Illustration
Sculpture
Drawing Young Artist (16-24 years old)

This three-week visual arts residency focuses on hide scraping, bone tool making, and working with parfleche. Visual artists who work with hide and parfleche will learn more about how scrape a hide, and work with parfleche with the support of faculty, elders, and knowledge keepers. Participants are invited to engage with faculty, community and peers while having self-directed studio time in Glyde Hall. Participants will come together with the community and have the opportunity for one-on-one sessions. The participants and faculty will have a chance to share their works in progress in Open Studios. Participants will deepen their artistry and technical application with hide scraping, bone tool making, and working with parfleche. The program will foster peer relationships with the opportunity for self-directed studio time. Participants will also be engaged with community in storytelling/knowledge sharing sessions in the hide tanning process.